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The troubles begin when stewardship of Arrakis is transferred by the Emperor from the Harkonnen Noble House to House Atreides. The Harkonnens don't want to give up their privilege, though, and through sabotage and treachery they cast young Duke Paul Atreides out into the planet's harsh environment to die. There he falls in with the Fremen, a tribe of desert dwellers who become the basis of the army with which he will reclaim what's rightfully his. Paul Atreides, though, is far more than just a usurped duke. He might be the end product of a very long-term genetic experiment designed to breed a superhuman--he might be a messiah. His struggle is at the centre of a nexus of powerful people and events, and the repercussions will be felt throughout the Imperium.
Dune is one of the most famous science fiction novels ever written, and deservedly so. The setting is elaborate and ornate, the plot labyrinthine and the adventures exciting. Five sequels follow. --Brooks Peck --This text refers to the Paperback edition.
I love sci-fi but don't read much of it because I prefer fantasy. DUNE feels like a perfect blend of the two. A war of noble houses set in space. Paul Atreides is heir to the duchy- and to say that he is well trained for the job would be an understatement. His father, Duke Leto, is given charge of Arrakis- a hellish desert-world and the sole source of "the spice" which the entire universe needs. A very prestigious assignment, but treachery and peril comes with it. Paul finds himself thrown into the mystery of Dune and its fierce natives, the Fremen. Is he the savior their prophecy speaks of?
I was first blown away by DUNE at the age of 16, and have since considered it "the one to beat". In 8 years, very few books have made me question that judgment: Game of Thrones, Foundation, Lord of the Rings, Ender's Game. I had to reread it to be sure I wasn't just naïve at the time. Was it really THAT great? Absolutely.
What really sets this apart from other books is its length. Whilst this has never ensured consistent quality (quite the opposite in many cases), Herbert has filled the 600-odd pages with superb prose that never wanders, never sags and always is delightful to read. The story is told from multiple points of view (often changes occur within a paragraph), so we learn effectively about the characters but we are never confused by this style. Every thought is recorded for our digestion which means the characters of Dune are wonderfully complex, each with their own nuances and failings. However I don’t imply that the book is full of dense, terse, symbolic writing that would make English graduates salivate. Rather the plot moves along with a large amount of dialogue and the subtle action sequences ensure even the most impatient reader is never bored.
The story revolves around Paul Atreides of the House Atreides. In a galaxy far away and far into the future, Dune features no aliens and few of the usual SF trappings. This is essentially a character-driven story so a hard SF fan may not enjoy it to the extent that I (and others) have. As we follow Paul and his family relocate themselves to the planet Arrakis/Dune as new rulers, much of the first act is concerned with the ducal court that surrounds Paul. At this point it could easily be classed as a fantasy novel because of the abundance of swords and of the royal hierarchy, ritual and betrayal. But it is definitely grounded in science fiction with its limited use of force fields, flying vehicles and highly-conditioned individuals that can perform extreme logical computations.
The most enjoyable part of the book for me was when the natives of Arrakis/Dune (the Fremen) ride the massive sand worms. Where Herbert got the idea for them I don’t know but they take the book to such a higher level that any comparison with Lawrence of Arabia seems redundant and misguided. One definitely thinks of T.E. Lawrence throughout the book with the galactic Emperor being the Ottoman Sultan, the spice melange being oil and the CHOAM corporation being OPEC etc. But after a while Paul’s ascent to greatness is unique and distinctive and is genuinely inventive.
I have not read the other 5 or so sequels, let alone the prequels written by Brian Herbert and have no intention to do so. For me, Dune is a standalone novel that needs no further explanation with other pieces of literature (save the fantastic glossary included, which clarifies everything you need to know). Very few books deserve a five star rating. This is one of them.
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