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Loud drums from Collins and strong keyboards from Tony Banks and the fine guitars of Mike Rutherford give this album a strong edge over its predecessor, it also showcased the first songs written by Collins alone, along with more collaborations between the group that led to a strong recording.
Starting off with the ever intriguing trio of intertwined group-written pieces "Behind The Lines", "Duchess" and Banks' "Guide Vocal", the middle track having a drum machine playing for the first ever time on an album used to great effect. "Man Of Our Times" follows this; a Rutherford-composed track that I feel is one that grows on you over time. "Misunderstanding" is the first of the two Collins-composed tracks, and (like the other) was of course influenced by the break-up of his marriage. Surprisingly this is a decent enough track. "Heathaze" follows, a melodic Banks-written piano-based piece about a person who finds change difficult.
"Turn It On Again" is a band-written piece in the strange time signature of 13/8, and spawned a great UK chart hit. Rutherford's "Alone Tonight" is possibly the album's weakest link, because despite the great use of 12-string guitars, it fails to captivate the listener. "Cul-de-Sac", another Banks-composed tune, making minimal use of Rutherford's guitar as per usual, but where it is used, it is used to great effect. Collins' other song, "Please Don't Ask" is a downbeat, but effective, affair. Finally, we come to the epic instrumental "Duke's Travels", a band-written affair that sounds very much like you're travelling through different parts of the world, with a great use of the lyrics from "Guide Vocal" towards the end, before the album comes full circle with "Duke's End", reprising the main themes from a couple of tracks from the album to a fantastic climax.
In all, if you only buy one album from Genesis' three-man era, buy "Duke". You really won't regret it.
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