Due South just about beats off the competition to being my all-time favourite TV series - Ray Vecchio (David Marciano) is my joint-favourite fictional character next to Columbo. Naturally, as a guy, the whole 'Fraser's so hot' and 'it's so cute how he gets embarrassed around women!' thing, which provides a big part of the show's appeal to its large female fan base, does nothing for me. It's neither here nor there - it doesn't detract or add much apart from the occasional laugh and an extra dimension to Fraser's (Paul Gross) character. But there's plenty here that places it as nothing short of outstanding in my view. It manages to pull together so many different elements and dimensions (comedy/drama/quirkiness/style) and interweave them masterfully - sometimes very funny, sometimes full of deep and often gritty drama, sometimes very quirky and light-hearted, going for full-blown comedy, not taking itself too seriously, and even then somehow does it with panache, as well as always, like the icing on a cake, topping it off with great music that gives it that final polished touch.
The great thing about Due South is apart from the core aspects such as characters, setting, basic premise, there's no clear formula - each episode is so different in its structure, feel, tone and plot that you can't really make a qualified judgement on the series, in my opinion, until you've seen a good many episodes, if not the whole thing. To illustrate this point, my introduction to the series was watching only one or two random episodes when my brother and his friend happened to be watching them, and I thought it was decent enough, and I got the general gist of the Mountie and his wolf and his detective pal, but that was it, nothing overtly special. But now I've seen the whole series through, twice over the course of a a few years, and it's been cemented as the top dog of TV in my mind. Some series are formulaic, and as a result pretty tedious after so many episodes (an exception to this rule is the excellent 'Columbo', which uses its formula superbly), then there are series that aren't formulaic, and have more variety in its scripts, but often at a compromise to its quality ie. some stories work better than others. But Due South not only is extremely variable, but in whatever setting or context it's put it still manages to maintain consistent quality and style throughout all 3 series, in every single episode, mixing gritty drama with an overall feel-good quality.
The fish-out-of-water scenario is one that works really well and that I am particularly fond of. Not only does it provide plenty of laughs, but the polite hardy mountaineer in a location that is as far removed from his natural environment as is possible, brings with it a fantastically unique premise. The way Fraser tracks criminals, solves cases and helps out the citizens of Chicago who are in need, using snowy mountain wilderness techniques in this concrete bustling metropolis, with the aid of rough and ready city methods from Ray, brings the whole 'urban wilderness' theme to life and really draws you in, especially with the inclusion of Fraser's other sidekick, his equally hardy and out-of-place pet wolf, Diefenbaker. There are some great moments in the first series particularly, where Fraser's father's voice (Gordon Pinsent) is heard as Fraser reads his diaries' accounts of tracking and arresting criminals in the Yukon wilderness, and it's overlaid on shots of the rough and busy night-time Chicago scene, or in Fraser's dilapidated downtown flat, as Fraser seeks to apply his father's knowledge and experience to his own situation or police case. It's a blend of two contrasting situations that works beautifully.
The main theme in Due South, though, is friendship. The chemistry between particularly Fraser and Ray Vecchio in Series 1 and 2, but also Fraser and Ray Kowalski (Callum Keith Rennie) in Series 3, is why I really love this series. The replacement of David Marciano with Callum Keith Rennie in Series 3 wasn't planned, as the series was going to be cancelled and Marciano signed a contract with someone else, so when it was suddenly announced it was coming back they replaced the character in a very clever and ingenious way which I won't go into to avoid spoilers. Some complain that the duet of Fraser and the original Ray worked perfectly and shouldn't have been changed, but I think it makes the series that much better, fuller and more complete. As Paul Gross says on the documentary included in this box-set, it was sad that David left but Callum brought something completely refreshing and brilliant to the show in the same way that if the show had started with Callum and he left, it would be sad to see him go but now we've got this whole new quality in David's character - Callum's arrival reinvented the show, even though it wasn't as if the old partnership was tired and needed reinvigorating - but it added a new dimension to the overall series' story. Both partnerships are similar yet different. The relationship between Fraser and the self-assured, flamboyant and openly moaning Italian-American Ray Vecchio has a dynamic where Ray vocally expresses how he's so often out of his depth and his exasperation with Fraser, and it's very much Ray as the bigger brother to the fish-out-of-water Fraser. This flips then with Fraser and Ray Kowalski - Kowalski is still the tough, street-wise cop, but he's more of a scruffy renegade, more aggressive and more easily provoked to anger, but still a good person at heart. His bewilderment at Fraser's seemingly crazy ways is expressed with a quieter, less dramatic despair than Vecchio. His tenser attitude comes from the fact that he is a lot more insecure than Vecchio or indeed Fraser, and in this instance the dynamic flips, and I see Fraser very much as the bigger brother to Ray, with his classic 'Ray, Ray, Ray, Ray, Ray, Ray' until he gets Ray's attention which has been drawn by something else, or his frequent advice to Ray through inuit fables. In the end, when you put aside the quality stories, the musical and visual style, and the fish-out-of-water premise that works so well, it's a show about two guys (twice over) with a special and remarkable bond, and their adventures. To paraphrase a quote from the series - when they're on their own they're incomplete, but when they're together they're better than what they are alone.
I primarily decided to review this, though, to give a word on this repackaging, and it is worth it. I don't think it's physically possible to make it any more compact - they've managed to cram 18 discs into three standard-sized DVD cases (6 discs in each case). It's great to have such a brilliant series in such a neat and compact format.