Maurice Craig's "Dublin 1660-1860: The Shaping of a City" was originally written in the late 1940s. Its author was then around 30, but although the book has plenty of youthful energy, this feels like the work of a man drawing upon a lifetime of learning. Craig's book is essentially an overview of Dublin's architectural history, tracing how the city grew from its medieval nucleus to the splendidly conceived Augustan capital of the early 19th century. When the book was first published, much of that city was still standing. When it was first republished, in the early 1990s, the Irish government had spent a good deal of the intervening 40 years letting property developers tear down huge swathes of magnificent 18th and 19th century Dublin and build ugly and unimaginative office buildings instead.
Craig was one of the most forceful and informed voices to argue that the developers were essentially sawing off the branches they were sitting on; by destroying so much of Dublin's architectural heritage, they destroyed much of the very prestige that made the city so desirable to the investors for whom they were building the offices in the first place. Nevertheless, by a combination of tax breaks and desperate financial juggling, the Irish government manage to hornswoggle the Irish property market into a decade-long bubble, with the surreal result that in the early years of the 21st century, an unremarkable house in suburban Dublin could go on sale at the same price as a decent-sized farmhouse in the south of France.
It couldn't last, and it didn't. In the meantime, Craig's learning, his sanity and his educated love of what is best in Dublin's buildings are a rebuke to the Irish national hatred of the capital city. The Irish have, for the most part, never loved Dublin, which is why they knock it down with words and with JCBs. If more people read Maurice Craig's wise, sly and beautifully written book, the city might be in better shape. And we might not have gone mad with demolishing good old buildings to build shoddy new ones.
Craig himself is now ninety, still fairly hale, and hopefully pleased that this masterpiece is back in print once again.