A thoroughly enjoyable read on a weekend when it's raining, everyone you know is out of town, there's nothing on TV and you need a book you know you won't put down. I can only give this book four stars because Alexandra Raife uses a storytelling technique that somewhat ruins the read: She uses an excessive amount of flashbacks to tell the story instead of allowing us to experience events with the characters as they are happening. Often, she will start a paragraph with the character having leapt forward in the story only to quickly flashback and tell us how that character got there by using sentences like, "Madeleine had to smile to herself as she remembered Lisa telling her this morning that..." This technique begins to appear as laziness in storytelling, as this "summing up" will certainly end up meaning that in-depth details about an event are going to be left out in a way that they would not have been had we simply been allowed to watch events unfold. Imagine if, in "Pillars of the Earth", Ken Follett had decided to summarize events by having us experience them through different characters remembering things in flashback form. Instead of 1150 pages, we would have had 550. Raife had the makings of an 800-page saga: Family intrigue, divorce, abandonment on several levels, the large family estate, outsiders who infiltrate the inner circle, etc. Why not make use of these wonderful "saga tools"? For those who have read it, imagine if we had SEEN Stephen invite Lisa to come live with him instead of having this fact revealed through Madeleine's flashback of Lisa TELLING Madeleine, "I'm going to live with Stephen. Please be happy for me." We are deprived of at least 40-50 pages of romance and story development by not being allowed to watch the relationship between Lisa and Stephen unfold but rather having it "summed up" in a flashback. However, "Drumveyn" does entertain. That alone makes it worth four stars!!