Drive to the East (Settling Accounts Trilogy) [Hardcover]

As I have said before about this series, the plotting is wonderful. There are a few too many obvious choices, like having another "Stalingrad" and having Featherston act too much like Hitler in all respects. Overall, though, I like what Turtledove has done with it. There are some little things that bothered me, such as why the there doesn't appear to be any US troops west of Ohio other than in the extreme southwest and fighting in Utah. The Confederates split the country in two, but in reading about what happens, they don't seem concerned at all about anything west of Ohio. The "drive to the east" from the title of the book takes up everything. The US is attacking in Virginia, but that's stalled. What about Illinois and Iowa? Overall, though, Turtledove gives us enough viewpoint characters that we get to see most of what's going on in North America, and that's a good thing. There is one area that we don't get to see, however, and I think that's a shame. I won't reveal it, because it will reveal a character death, but I will say that this character's death happens at just the perfect time to rob us of getting a viewpoint of what's happening in a certain segment of the war. I'm sure Turtledove had his reasons, but it disappointed me.

Especially chilling is that we see the "Final Solution" from the point of view of two characters that we have grown to know over a period of 8 books, characters that we may not love, but we do know. We've seen their prejudices, but having become familiar with them, it's hard to swallow them buying into all of this (not to mention that one of them actually is the idea-man behind it!). It's easier to look at monsters like that when we don't know anything about them, and I found those scenes uncomfortable, but in a good way. I like it when an author can do that to me.

Everything above was great, and it made me really want to read the next book. He left a couple of characters on cliffhangers, killed off a couple of other characters, and gave us a new viewpoint character. I liked how we got the black experience with two men who are in the thick of all the fear that this atmosphere brings.

Yet this book was a struggle to get through. First, Turtledove's style, at least in this series, is a "down home country bumpkin" kind of style, even in the narration. The dialogue is the same way, and it was extremely irritating. Too many "I'd like to say you are wrong, but I can't, because you're right" type of statements. Most of the prose just grated on me. But this is par for the course with Turtledove, at least for me.

Also par for the course is the amount of repetition, both in dialogue and narration. However, Turtledove must have hit the "overdrive" button on this one, as it is almost everywhere in this book. I can't count the number of times he mentions men looking around for a ditch to hide in when airplanes are above. I wish I could tell you how many times, when we're either looking at Featherston or Potter (the spymaster), that we hear the wrestling metaphor for the current situation. Ideally, the Confederate surprise attack would have knocked the US out of the war immediately, but since the US has refused to give in despite being divided, the Confederacy is now wrestling the US in a match it can't win without a knockout blow. Turtledove teases us by mentioning, yet again, Sam Carstens' need for zinc oxide to avoid sunburn, but then he only mentions it one more time in the book. I thought we were saved, but instead, he decides to repeat everything else in the book. At almost 600 pages now, this book could have been a bit shorter and less padded without all of this.

It's a really good thing I care about most of the characters (now that Turtledove has killed off most of the annoying ones), or I wouldn't have been able to finish the book. As it was, Drive to the East was a slog, like walking through the mud of No-Man's Land in the Great War (which he also continually references). I'm in this story to the end, as I really want to see how it turns out (and whether Atlanta or Charleston is going to get nuked). But my head may be horribly bruised by the time I'm done with it, from banging my head against the wall too much.

David Roy

There is an interesting new note to this volume. The Mormon revolt in Utah - an ongoing subplot that dates back to the initial volume in the series - produces a new weapon that is more familiar to readers from today's headlines than from histories of World War II. It seems that Turtledove has decided to introduce an element of 21st century warfare to his 1940s battlefield as a way of commenting on current events, suggesting his own attitudes to today's violence. It will be interesting as well to see if he develops this idea further in the next volume.

Yet as enjoyable as the novel is, it suffers from a degree of sloppiness. Some of the sloppiness is error borne of too little research - I doubt that the U.S. would name a destroyer escort after a racist Southern editor, for example - while some seems to be of exhaustion. Compared to the initial volumes of the series there seems to be a growing degree of repetitiveness in this book, not just of the last installment (a little understandable due to the need to refresh readers from what happened previously) but within the book itself. Observations and even plot developments are recycled and rehashed almost as if Turtledove is simply trying to fill space. While I am as eager for the next volume as any other fan of the series, I would be willing to wait a little longer if it led to a novel of the caliber of 'How Few Remain.' Though this work may develop the tale he started with that book, it seems to be a little hollow by comparison.