This movie initially reminded me of Michael Mann's cinematography of the 1980s, in terms of the sound track, the vibrant colours, the use of landscapes and modes where the heroic protagonists occupy a somewhat secret world, away from ordinary concerns. There is a feel of stylishness and emotional intensity and sexual subtext and strong violence. However, where this splits from a Mann production is that at times the film has no dialogue - instead the viewer has to rely on gestures and or facial descriptions and that in its self can be disconcerting. Therefore, it is quite understandable that people will not like this type of storytelling and will reach for volume control on the remote.
One of the outstanding scenes was the elevator sequence, which was essentially a series of striking visuals and explicit imagery that's a key example of how the film conveys so much through emotions and through the moving image as opposed to the use of any spoken narrative. The use of very capable Bryan Cranston as Shannon is great casting, he seems to have such a far raging palate of characterisations. The whole casting of the film is good, and in some ways rather quirky.
To sum up then, this is a good neo-noir crime thriller film that for me really delivers. That said, and I hate to sound repetitive, but I can appreciate why there detractors as my partner is one of them.