Dreamers (1904) by Nobel prize-winner Knut Hamsun is a light comedy set in an isolated Norwegian fishing community. Essentially it is the tale of Ove Rolandsen, a mercurial telegraph-operator, striving to better his lot. Drunken yet serious, bellicose yet sensitive, Rolandsen is a man of towering contradiction. A lovable rogue with a passion for women and song, his rakish and seemingly impulsive behaviour threaten to be his undoing. However, his timely invention of a revolutionary fish-glue might just save his reputation and win him the love he so ardently desires.
Much of the comedy lies in Rolandsen's tomfoolery and flirtation, but other engaging if somewhat stereotypical characters including a zealous priest and a clumsy housewife bolster this farce. Most remarkable though is Hamsun's acute understanding of the psychology of human behaviour. The interplay between characters is deftly crafted, whilst Rolandsen's internal questioning and analysis of his place in the world is wholly natural. This sensitivity to the ticking of the psyche marks Hamsun as a truly modern forerunner to such authors as Joyce and Woolf.
As in much of Hamsun's work the theme of man's symbiotic union with nature is key. With a narrative starting in spring and reaching through the summer, the growth of plants and development of human feelings go hand in hand. Nordland is a fecund place, where freshly caught herring sparkle and wafts of smoked juniper flavour the air. This sketch of nature in her prime coupled with the author's comic touch is bound to lift even the gloomiest of souls.
Dreamers may not have the psychological gnawing angst of Hamsun's Hunger (1890) or the epic nature of Growth of the Soil (1917), but the lightness and joy radiating from this slight novel are a pleasure indeed.