Seldom Scene split apart in 1995 when 3 members left to form Chesapeake. Their places were filled by Fred Travers on dobro, lead singer Dudley Connell and bass player Ronnie Simpkins. John Duffey remained, as did Ben Eldridge.
With such drastic change, the expectation would have been that Seldom Scenes sound would have altered significantly, but no, they still sound very good.
The choice of material remains excellent, contemporary writers include Paul Kennerley, Paul Craft, John Fogerty and Dudley Connell, whilst John Duffey supplies arrangements of Public Domain favourites like Little Sparrow.
This album, released in 1996, was to be John Duffeys last as he died shortly afterwards. It is tempting to look back at this album and see it as his farewell, but in reality the album was all about a new band shaking down and getting it together.
High spots on the album do belong to John Duffey though. His vocal on the Boatman captures the listener, whilst the old weeper, Willie Roy (the crippled boy), is an established favourite. No duds on the album, and it signs off with a spirited version of Bad Moon Rising, the song John Fogerty dedicated to Richard Nixon.
This isn't the Seldom Scene album to start with if you are new to the Band. Start with one of their earlier collections. It isn't their best album, but it is very good, and its very enjoyable. Everything that one expects from Seldom Scene really.