For many readers, the suggestive title of 'Dracula's Guest', with it's promise of excluded material from Stoker's most-famous novel, will be the main draw for purchasing this collection. Viewed alongside the novel, 'Dracula's Guest' makes for an interesting read and certainly evinces further the masterful balancing of chilling detail and atmospheric narrative that charactises that work. Yet although the editor suggests that the narrative was written as a self-contained tale, it is not clear that readers unfamiliar with 'Dracula' would find the tale as effective or accessible.
Besides linking with Stoker's most well-known work, the lead tale connects well with the other twelve tales in the volume by showcasing Stoker's talent for writing short fiction. Often the short stories written by Victorian authors are just as intriguing as their more mainstream and commercially successful work, but in Stoker's case this is not so evident. Just as Stoker's novels besides 'Dracula' are of variable quality, so too are these short stories. Linking all of the tales are morbid and often macabre preoccupations that, although suitably unsettling for the genre, sometimes stray uncomfortably a little too far. There are echoes of Edgar Allan Poe, especially in 'The Secret of the Growing Gold', and an altogether darker vision of the traditional Victorian ghost story. Tales such as 'The Judge's House', and especially 'The Squaw', blur the line between the spine-chilling and the outrightly grisly. If your taste is for the uncompromisingly gruesome, then Stoker's imagination may appeal; however, if you prefer a more subtle, psychological approach, then Stoker's confrontational style may be a step too far.