It took a long time for Hammer's 1958 version of Dracula
to turn into a franchise, and it was ten years before Dracula Has Risen From the Grave
, the third film in the series, continued where Dracula--Prince of Darkness
(1965) left off. The vampire count is accidentally resurrected by the blood of a priest when Monsignor Muller (the excellent Rupert Davies replacing Peter Cushing, whose Professor Van Helsing is absent) exorcises Castle Dracula. The Lord of the Undead soon has the priest under his power, and sets about claiming the Monsignor's niece Maria (Veronica Carlson) as his bride. Maria is in love with Paul (Barry Andrews), more a 60's English "angry young man" than a Victorian hero, yet only he can save the day, the film contrasting his atheism against much Catholicism. Working as a taut, Gothic thriller, the intensity is maintained to a large degree by James Barnard's excellent score and, of course, by Christopher Lee's magnetic interpretation of Count Dracula. The eroticism is stronger than in previous Hammer Draculas, the palpably electric blood-lust marking the movie as a high-point before the series' gradual decline, beginning with Taste the Blood of Dracula
(1970). --Gary S. Dalkin
Three elderly distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of count Dracula's servants. In a nightly ceremony they restore the count back to life. The three men killed Dracula's servant and as a revenge, the count makes sure that the gentlemen are killed one by one by their own sons
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