Some 14 years and five sequels on from `The Horror of Dracula', the original and best Hammer film starring Christopher Lee as the anaemic Count and Peter Cushing as his stake wielding nemesis Van Helsing, comes this rather interesting attempt at reviving the ailing series.
Following from the success of the original film, a whole series of sequels followed. The quality got steadily worse, until the absolute nadir was reached with camp and terrible `The Scars of Dracula', which preceded this film. None of the films repeated the pairing of Lee and Cushing, until this one.
Deciding to try and recapture some of the old magic, and trying to take the series in a new direction, the producers brought back the classic double act of Lee and Cushing, and took the brave decision to update the series from the eighteenth century Gothic settings that had made Hammer's name, and set it in contemporary London.
Largely, it works well. Dracula is an undead being, with unlimited lifespan, so why not? The presence of Van Helsing 100 years after his last appearance is easily and believably explained by his being the grandson of the original. Lee and Cushing are both, as usual, excellent value for money, and in their scenes together the old magic does show through a bit. Stephanie Beecham is pretty good as Van Helsing's granddaughter, who is unwittingly involved in the resurrection of you know who, and becomes the target of his vengeance on the Van Helsing line. And Michael Cole is excellent as the police officer investigating a series of strange killings in which all of the victim's blood has been drained from their bodies - sound familiar to anyone?
The bad points are that the depictions of `Swinging London' have dated terribly, and some of the actors playing the thrill seeking young people are a bit wooden. And Johnny Alucard's name isn't exactly a subtle clue...
In general, this is exactly what the producers had intended - 90 minutes of entertaining fun. It's always interesting seeing how Hammer are going to bring back the fanged one this time, and the scenes are nicely built up and well done here. The general plot is quite good, and certain scenes, especially Alucard's destruction, are highly entertaining. Not quite as good as the original, but not a bad attempt.
This DVD presents the film in the original 1.78:1 aspect ratio, with a mono soundtrack. The print has not undergone any restoration, but nonetheless is pretty good with a minimum of artefacts. DVD extras are sparse, consisting of the original theatrical trailer.
Recommended to any fans of the genre - just don't be put off by the very dated feel of contemporary London.