This DVD contains both the 1941 Spencer Tracy version and the 1932 Fredric March version. Believe me, the latter is far superior to the former. In fact, in viewing Tracy's film, the only reason I could find for maintaining my attention was the incredibly magnetic Ingrid Bergman. Basically, Spencer Tracy's acting is not up to scratch. He doesn't actually seem to change much when he becomes Mr. Hyde. He doesn't seem particularly threatening and the film plods along rather than sweeping you up and carrying you with intrigue, terror and delight. In addition, there are lots of irritating Freudian arty scenes which simply do not belong.
But flip the disc over and you'll find the brilliant Fredric March version, never bettered since 1931. Notice how inventively shot it is for the 1930s: Dr. Jekyll is shown from a first person view for the whole of the start of the film including a wondrous mirror shot when he prepares himself. This is later used again when he abuses the very substances that will bring about his transition. The film, too, was pre-censor and is far more daring. The prostitute that Mr. Hyde stalks practically strips off for Dr. Jekyll when he takes her home.
But the reason why the film is so good is that it has insight without ever tripping over itself because of it. Fredric March's interpretation of Mr. Hyde as being primitive and ape-like is incredible. There is simply no resemblance between himself and Dr. Jekyll. People comment on how the make-up looks silly to the modern viewer. But they fail to notice just how much like a primate Mr. Hyde is being depicted as. March's performance itself is astounding. The scene when he beats the waiter in the bar for asking for a tip and then mocking him is terrifying: Mr. Hyde is truly mankind unhinged, at its most dangerous.
The standout scene for myself, however, is when Mr. Hyde walks outside in the rain for the first time. March plays him brilliantly animal-like, absorbing the feeling of freedom, unashamadly gleeful where other Victorians would have fled for shelter. And, for the record, the effects when he changes were revolutionary and still look excellent. They really do.
The extras included are a Bugs Bunny cartoon based (very loosely) on the famous horror tale and a commentary by some American film historian whose calm, controlled voice might just grate with you. However, I believe it is testament to the brilliant 1932 flick that he only provided a commentary for that film and not the 1941 Tracy version.
It really is one of those films that you should see, especially if you are a fan of good horror movies. These people were writing the book that modern film-makers seem to have misplaced.