I'm a big, BIG fan of Ed McBain, especialy his "87th Precinct" thrillers, and when I started this I expected to enjoy it every bit as much as those other of his books that I've read.
Unfortunately, and for the first time with McBain,I was disappointed.
The trouble with this novel is that it tries to be a comedy in the format of a thriller.
It is Christmas Eve in a cold and snowy New York. Mike Barnes, an orange-grower from Florida, is about to go home after concluding some business in the Big Apple. He stops in a bar for a drink before driving his hired car to the airport. In short order he has his identity and then his car stolen, is implicated in a murder, is mugged, wins a load of money in a crap game then loses it all but meets the beautiful Connie, gets fingered by a plain-clothes cop who wants him to bump off a local crime-lord, is shot by a uniformed cop who thinks he is somebody else and - eventually - gets to the bottom of the whole thing, is cleared of murder and goes off into the sunset with Connie. All in less than twenty-four hours.
Sounds like a hoot and, with a different setting, might have been. The trouble is that McBain tries to apply the same tight, suspenseful methods to this comic caper that he applies to his usual thrillers, ans it doesn't work - not for me, at any rate. The novel is full of comical interludes where excitable Italian-Americans talk over and misunderstand each other, and highly unlikely episodes where Mike keeps bumping into other people - usually cops - that he has already met and who are intent on getting him to do something for them. These passages don't sit well with the structure of the fast-moving thriler that McBain excelled at; at first amusing, they rapidly become irritating, sapping the pace of the story and stretching the internal logic of the plot to breaking-point. Add to this the flashbacks that Mike (a Vietnam vet) has of his terrible experiences during the war, and you have a pot-pourri of thriller, bildungsroman and comic caper that simply doesn't work.
A shame, but an unusual aberration for the great McBain that I can easily forgive, as everything else of his that I've read has been superb. "Downtown" can go downtown to the charity shop; I'll get started on another 87th Precinct thriller just as soon as I get a moment, and forget all about "Downtown"...
(P.S. Any similarity between this review and the Petula Clarke song of the same name is purely coincidental)