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As one of the people in charge of the theme park's Haunted Mansion, Jules has no shortage of Whuffie. While he's delighted with his job and his perky girlfriend Lil, he's increasingly suspicious of the ambitious ad-hoc that's just revamped the Hall of Presidents. "Ad hoc?" Jules grumbles at one point. "Hell, call them what they were: an army." After Jules is "killed"--for the fourth time in the hundred years he's been around--he realises that the Haunted Mansion is under threat, along with the rest of his beloved Magic Kingdom.
It's the sort of wild, tech-savvy premise a reader might expect from someone with Doctorow's CV--among other things, he's one of the editors of the popular Weblog Boing Boing and a 2000 Hugo Award winner for best new writer. Doctorow, a Toronto native who now lives in San Francisco, makes savvy references to recent SF landmarks such as Neal Stephenson's The Diamond Age and Snow Crash, and fans of Carl Hiaasen may be reminded of the amusement-park warfare in Native Tongue and the anti-Mickey bile of Team Rodent: How Disney Devours the World. But what Doctorow's first novel lacks in originality, it more than makes up for in terms of exuberance and appeal. The action is funny and swiftly paced as the increasingly unhinged Jules tries to discover the identity of his "murderer" and protect the Haunted Mansion. Along the way, Doctorow reconfigures society in a dazzling variety of ways and creates a future that he can call his own. --Jason Anderson, Amazon.ca --This text refers to an out of print or unavailable edition of this title.
Praise for DOWN AND OUT IN THE MAGIC KINGDOM:
‘Impressively imagined’ New York Times
‘Cory Doctorow doesn’t just write about the future – I think he lives there.’ Kelly Link
‘A kinetic, immersive yarn … wholly entertaining’ The Onion AV Club
‘He sparkles! He fizzes! He does backflips and breaks the furniture! Science Fiction needs Cory Doctorow.’ Bruce Sterling
Praise for Cory Doctorow:
‘Fresh and full of thought-provoking ideas, a book about tomorrow that demands to be read now.’ The Times
‘I’d recommend ‘Little Brother’ over pretty much any book I’ve read this year. Because I think it’ll change lives. It’s a wonderful, important book’ Neil Gaiman
‘A glorious book unlike any book you’ve ever read’ Gene Wolfe
‘A cracking read’ Guardian
‘Doctorow brilliantly shows us a near-future that’s equally wondrous, inspiring and terrifying’ BBC Focus
PRAISE FOR LITTLE BROTHER
‘A well structured and superbly executed thriller with breakneck pacing and an emotional payoff to boot. Engaging, thought provoking, and at times harrowing.SciFi Now
‘An entertaining thriller and a thoughful polemic on Internet-era civil rights … a terrific read’ New York Times
‘A compulsive and chillingly credible read … would make a great discussion for any reading group’ New Books
‘A tale of struggle familiar to any teenager, about those moments when you choose what your life is going to mean.’ Steven Gould, author of ‘Jumper’
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Most Helpful Customer Reviews
9 of 9 people found the following review helpful:
4.0 out of 5 stars
Great first novel,
By
This review is from: Down and Out in the Magic Kingdom (Hardcover)
Julius has finally realized his life long dream of living in Disney World. He finds his job with the Liberty Square ad hocs to be fun and his girlfriend Lil keeps him feeling young. When his best friend Dan shows up, he feels his life is complete. But then he's murdered. Granted, it's only his third death, which isn't bad for being over a hundred, but he still takes it rather personally. He's even more surprised when he finds out that Deb moved into the Hall of Presidents while he was out.Deb is leading a group that is slowly bringing all the attractions into the modern era with new technology. Julius and his friends oppose this because they want to keep the park the way it was in the 20th century, technology, storylines, and all. Julius feels he should take a stand, but what can he do? First, the bad. Maybe it's because I don't read that much science fiction, but I had a hard time with the jargon of this book. For the first 50 pages or so, I was really struggling to follow the new terms the characters were using when discussing their lives. But once I got the lingo down, I couldn't put the book down. The story is interesting with quite a few twists and turns. All the characters were interesting and well developed, but I especially liked Julius. He was easy to care about, and I had to know what would happen to him next. I'm a huge Disney fan, so the back drop of Disney World certainly didn't hurt either. In fact, it made me want to visit the park even more. Cory Doctorow is definitely an author to watch. He weaves a good yarn in an interesting vision of the future. I'm already looking forward to whatever he has up his sleeve next.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Instant fan!,
By
This review is from: Down and Out in the Magic Kingdom (Paperback)
I read the first 3 chapters of this book online, where the author and publisher have made it available free and legal!After getting hooked into the world in the first three chapters I bought the book and Cory's other book of short stories. I flew through the pages and have just bought Eastern Standard Tribe! If you live in the internet world then this book will strike a chord with you I am sure. Great modern SciFi, great computer "geek" universe. And all based in Disneyland, fantastic!
2 of 2 people found the following review helpful:
3.0 out of 5 stars
Dystopia? Eutopia? Utopia?,
By Federhirn (Cardiff, UK) - See all my reviews
This review is from: Down and Out in the Magic Kingdom (Paperback)
First of all, thank you Cory Doctorow for making your books available under Creative Commons Licences, for free, on the web. Also, thank you Sony for the Reader - it makes reading free ebooks a pleasure.
That said, I will probably not buy a hard copy of this book. It isn't bad, don't get me wrong, but it did not stun or wow me. (Unlike Little Brother, of which I did not only buy one hard copy for myself after reading the free version, but various copies for schools out in the world, and which I tried hard to get my undergrads to read. I suppose that means the verdict is out on whether creative commons is a good way of promoting work - I think it is a good way for great work, but a bad way for middle of the range works...) So, Down and Out... What is it about? It's set in a post-scarcity society. Nothing is scarce at all - unlimited energy, unlimited resources, unlimited lifespans (courtesy of a simple process whereby clones are made to order, and memories and minds transferred into them when the person dies - all people need to do is back up regularly). The internet / information is universally available, in people's minds at a thought's notice. People don't use phones or hardware - when they want to reach each other, they subvocally connect to the other's minds and hope they let them in. Very well. No scarcity means no real economy - except, people have something a bit like a currency still: whuffie. It's their social standing, turned into a number. People check each other's whuffie to see whether the other person is worthwhile sticking around, or lower down the pecking order. In that world, our hero lives in Disneyworld with his girlfriend, looking after some of the rides. An old friend from University and former missionary assimilating other societies into this one, Dan, comes into their lives, bereft of whuffie and friends (despite being a legendary, whuffie rich person decades ago), desperate, and wishing, but not quite brave enough to kill himself... Down and Out in the Magic Kingdom sounds like a dystopia. Or rather, like the kind of dystopia where everyone in it thinks it's a utopia. Even the title sounds like it has a hefty dose of cynicism in it. Unfortunately, the book does not quite deliver on that expectation. Perhaps it does, but too subtly. Perhaps it is not meant to be a dystopia, but a utopia without value judgement, a literarily more ambitious beast. The main plotline is actually quite mellow - our hero is part of a group of people trying to protect an old fashioned way of doing theme park rides (especially the Haunted Mansion), while another competing group is trying to turn the rides into virtual, modern, in-people's-minds experiences. It's basically heritage versus high tech, Routemasters versus bendy buses but with Disneyworld rides. Early on, a murder occurs, but as we find out, murder is entirely reversible in this eutopia. Perhaps the book's main problem is that it sets up expectations - with setting, title, and the murder - that don't really get delivered on. I spent most of the first half of the book waiting for a sinister, rotten core about this society to emerge. I spent a lot of time waiting for things to get larger than about a little bit of office politics amongst maintenance staff in a theme park. I spent a lot of the book expecting this to be a thriller, and not a book about someone slowly self-destructing due to an obsession with the past. I spent a lot of the time reading a different book from the one that was on the paper, (or e-reader), if you know what I mean. It's a bit like a Banksy interpretatiojn of the Hay Wain, except in reverse. With Banksy, the eye sees something it is used to, then it is livened up by subversion. Here, the eye sees something subversive that then turns into a mellow country side painting. No wonder some strange people on the web think whuffie is a good idea and are building computer systems to allocate whuffie to web users (everyone on Twitter has their whuffie measured and published somewhere, even if they never even heard of it...) On the whole, this is a book that is full of ideas. It just seems to be a little undecided about these ideas, unsure whether it likes or dreads them, and, while nobly allowing the reader to make up their own minds, the story becomes weaker and less captivating as a result.
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