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Central to Fullers book is the intense relations between herself and her parents, a chain-smoking father able to turn round any farm in Africa, her glamorous older sister Vanessa, and the character who sits at the heart of the book, Fullers "fiercely intelligent, deeply compassionate, surprisingly witty and terrifyingly mad" mother.
Fuller weaves together painful family tragedy with a wider understanding of the ambivalence of being part of a separatist white farming community in the midst of Black African independence. The majority of the book focuses on Fullers early years in war-torn Zimbabwe, with "more history stuffed into its make-believe, colonial-dream borders than one country the size of a very large teapot should be able to amass." This is the most successful dimension of the book, as Fuller describes growing up on farm where her father is away most nights fighting "terrorists", and stripping a rifle takes precedence over school lessons. The sections on Malawi and Zambia are more prosaic, but this is a lyrical and accomplished memoir about Africa, which is "about adjusting to a new world view" and the authors "passionate love for a continent that has come to define, shape, scar and heal me and my family." --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.
Right from the start, when the author talks about getting softly drunk with mother the night before returning to boarding school, and then smoking with her father while he commisertes with her because she won't be able to smoke at school, you know you are in for something different. And that was just the start of it.
I was also fascinated by the fact that the author was born in the same year as me, so all along I was comparing her life to mine and being astonished at how different it was. A very hard life at times, but I was also envious! I have been to Zimbabwe, as well as Botswana, Namibia and South Africa, but only on fleeting holidays. However I felt very drawn to the place and this book made the tie seem stronger, as though there was an actual reason for it rather than just my imagination.
Also, by the end of the book, I felt as though Alexandra Fuller was a friend. I was upset to loose touch with her and would love to know more about how she is adapting to life in the US as I really cannot imagine her there.
It is also a fascinating story of 'White Africa' and of the mixed motives that have led Europeans to hang on to it for so long. Once again, she refuses political judgement on her characters' motives, on their latent racism and debatable ethics. She prefers to tell us about her own coming of age and her coming to terms with the complex and contradictory reality that is "Africa" for a white girl. She's no naive: some of her characters are frankly disgusting. She just has other things to tell, that's all, and that's fine, because she's 100% honest about it.
Ultimately, the book is a declaration of love for Africa and for her family: love born out of much suffering and therefore, i think, so much more honest and longlasting.
If you are looking for a political novel, then you better stick to Nadine Gordimer: this is essentially a private story, and you will identify with it no matter where you've grown up, as long as you HAVE grown up.
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