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Album Savings: £0.10 compared to buying all songs
- Original Release Date: 19 Feb 2008
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Don't Give Up On Me | 3:45 | £0.69 | ||
| Play | 2. Fast Train | 5:38 | £0.69 | ||
| Play | 3. Diamond In Your Mind | 4:24 | £0.69 | ||
| Play | 4. Flesh And Blood | 6:07 | £0.69 | ||
| Play | 5. Soul Searchin' | 3:59 | £0.69 | ||
| Play | 6. Only A Dream | 5:09 | £0.69 | ||
| Play | 7. The Judgement | 3:30 | £0.69 | ||
| Play | 8. Stepchild | 5:10 | £0.69 | ||
| Play | 9. The Other Side Of The Coin | 3:46 | £0.69 | ||
| Play | 10. None Of Us Are Free | 5:29 | £0.69 | ||
| Play | 11. Sit This One Out | 4:33 | £0.69 |
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Customer Reviews
Most Helpful Customer Reviews
22 of 22 people found the following review helpful
Format:Audio CD
The "King of Rock & Soul" ascends his throne in all his glory with this tremendously refreshing comeback album. It's refreshing in every sense of the word. It's sound is refreshing and intimate. It's refreshing that a soul album on a soul artist, legendary or not, (But in particular a legendary one) is just that, soulful. Recorded live in the studio with a great cast of musicians, this album should bring deserved attention to the small Fat Possum record label in Oxford, MS. The songs on this album were all proudly contributed to Burke by some of the most respected people in the business. Van Morrison, Elvis Costello, Bob Dylan, Tom Waits, and Brian Wilson are just the most famous of the lot. Morrison's songs are two of the better ones on the album, particularly "Fast Train". Both have Morrison written all over them, and in fact, he's using them on his upcoming outing. Like Morrison, Waits's, Wilson's, and Costello's songs are also instantly recognizable as theirs. Bob Dylan submits what is probably the most generic song on the album. Another highlight is the Barry Mann/Cynthia Weil/Brenda Russell written "None Of Us Are Free". The two aforementioned titles, as well as the rest of the album, are graced by a superlative organ player in Rudy Copeland. Copeland, who is blind, is the organist at the church where Burke pastors. The title cut is written by songwriting cohorts Dan Penn and Carson Whitsett, along with Hoy Lindsey. Penn wanted to write an Otis Redding type ballad and had wanted to use the title "Don't Give Up On Me". Whitsett sat down and started laying down Otis like chord changes and the result, in my opinion, is a song that sounds like a classic '60s country soul hit. Copeland's playful interplay with Burke is uniquely splendid. To say Burke sounds great would be an understatement. His voice is smooth and strong. The Joe Henry produced ensemble deliver a package that should be titled "Don't Give Up On Music."
21 of 21 people found the following review helpful
Format:Audio CD
Somewhere in your music collection you most likely have a Soul compilation. In all probability you will find a song on it called 'Everybody Needs Somebody To Love' by Solomon Burke. Well surprise, unlike most of the people on that compilation Solomon Burke is not dead and he is still a working Soul Man, and while some may feel that there isn't a crowd pleaser like 'Everybody Needs Somebody To Love' on the CD(although 'None of Us Are Free' comes pretty close), the album is filled with great songs by some of the best songwriters of the past century, which showcase a singer who not only has an incredible range, but is as equally at home doing a song by Tom Waits as he is one by Brian Wilson. We live in a time when the word 'great' is overused to the point of meaninglessness and unfortunately this applies particularly to what is written and said about music, but Solomon Burke is unqualifiedly a 'great singer' and this is an excellent album that deserves to outsell anything that has been in the charts for quite some time. If you've ever listened to that Soul compilation of yours and thought: "They don't make music like this anymore," then you need to get this album because 'they' just did. This is not to say that this is an exercise in nostalgia because it is not. This is a sophisticated album that shows that Burke has matured and developed with the course of time, despite being out of the gaze of the mainstream music media and record buying public for so long. This is not a modern record because of it's production (it was recorded live in a studio in four days), but because of the richness and variety of the material Burke makes his own. The songs are bound together by the soul of a man who knows how to give everything to a song, and does. This is the real deal.
8 of 8 people found the following review helpful
Format:Audio CD
The "King of Rock & Soul" ascends his throne in all his glory with this tremendously refreshing comeback album. It's refreshing in every sense of the word. It's sound is refreshing and intimate. It's refreshing that a soul album on a soul artist, legendary or not, (But in particular a legendary one) is just that, soulful. Recorded live in the studio with a great cast of musicians, this album should bring deserved attention to the small Fat Possum record label in Oxford, MS. The songs on this album were all proudly contributed to Burke by some of the most respected people in the business. Van Morrison, Elvis Costello, Bob Dylan, Tom Waits, and Brian Wilson are just the most famous of the lot. Morrison's songs are two of the better ones on the album, particularly "Fast Train". Both have Morrison written all over them, and in fact, he's using them on his upcoming outing. Like Morrison, Waits's, Wilson's, and Costello's songs are also instantly recognizable as theirs. Bob Dylan submits what is probably the most generic song on the album. Another highlight is the Barry Mann/Cynthia Weil/Brenda Russell written "None Of Us Are Free". The two aforementioned titles, as well as the rest of the album, are graced by a superlative organ player in Rudy Copeland. Copeland, who is blind, is the organist at the church where Burke pastors. The title cut is written by songwriting cohorts Dan Penn and Carson Whitsett, along with Hoy Lindsey. Penn wanted to write an Otis Redding type ballad and had wanted to use the title "Don't Give Up On Me". Whitsett sat down and started laying down Otis like chord changes and the result, in my opinion, is a song that sounds like a classic '60s country soul hit. Copeland's playful interplay with Burke is uniquely splendid. To say Burke sounds great would be an understatement. His voice is smooth and strong. The Joe Henry produced ensemble deliver a package that should be titled "Don't Give Up On Music."
Most Recent Customer Reviews
Don't give up on me: Solomon Burke - Soul Searchin' record puts Burke...
Soul legend Solomon Burke experienced a few slow years in the eighties and nineties, but managed to make a storming revival with this 2002 record. Read more
Published 11 months ago by Victor
Amazing sounds from a soul great
I was lucky enough to catch Solomon at the Bansko Jazz Festival 2010, and not having heard much of him in recent years, was knocked out by the soulfulness and power of his... Read more
Published 13 months ago by P. A. Brown
don't give up on R and B !!
This is a better album than Nashville, or maybe that's mainly because I am currently playing this one all the time, especially the title track, which, although sung with restraint,... Read more
Published on 17 Nov 2008 by phil mars
****1/2 - an amazing comeback record from Solomon Burke
Nicknamed "The Deacon" and "The King of Rock & Soul", Solomon Burke was one of the important early soul pioneers of the 60s before vanishing from the charts. Read more
Published on 1 July 2005 by Docendo Discimus
Good - except...
I'm coming at this record from a different angle to most people - I've never heard anything by Solomon Burke before, or listened to much soul music. Read more
Published on 12 Nov 2002 by Jeremy Warmsley
Excellent
A brilliant tour de force. Astounding vocal range and brilliant song writing from across the soul and blues spectrum combine to create a great album. Read more
Published on 19 Aug 2002
Soul survivor
Readers of "High Fidelity" will remember that one Solomon Burke song in particular, "Got to Get You off My Mind", was pivotal, virtually a leitmotif throughout the book. Read more
Published on 29 July 2002 by Dudley Serious
The best - no contest -10 Stars
How come that the best cd so far this year is released by a 62 year old guy, who recorded it live in the studio in just four days ???? Read more
Published on 25 July 2002 by Mr. D. Burrows
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