With nearly two and one-half centuries having passed and literally thousands of books on the topic having appeared since the events of the American Revolutionary War, calling a new volume "pioneering" seems a bit bold. Relative to this important and exciting new gift to students by master artist and collector Don Troiani, though, that term is fully appropriate. In literally no other book to date have such historically valid visual perspectives of our War for Independence been gathered, through both a remarkable array of original artifacts and Troiani's impeccably researched and executed artwork. For this pre-photography American military epoch, no other source yields such a "you are there" perspective
While the bookshelf of "material culture" albums relating to Civil War memorabilia is both broad and expanding nearly every year, the number of significant books on Revolutionary War artifacts and relics ever published can literally be counted on one's fingers, with most of the still best-selling volumes having appeared during the bicentennial years of the 1970s. That sharp contrast, of course, is a direct reflection of the exceptionally greater rarity of the arms, equipment, apparel, and everyday-life items that can be proven to have been used by the armies of the 1770s than is the case with the militaria of the 1860s. Troiani has done all Revolutionary War students a great service by expanding the presentation of such earlier artifacts beyond those from his own fine collection with a startlingly superb array of items from other private and institutional collections, most never before published and many rarely ever seen by the public. These historic jewels are brought to the reader through close-up, full-color photos of such striking detail and beauty as to almost produce the experience of having these fascinating artifacts in one's hands.
The element that weaves together and breathes life throughout this gallery of fine militaria, of course, is Troiani's peerless artwork. With more than 50 of his paintings beautifully reproduced in this volume, the artist has brought true vibrancy to an era and its people almost habitually misperceived as lifelessly archaic or, worse yet, patriotically "quaint." In particular, the single-figure and small-group studies clearly reflect the precise documentation yielded by author James L. Kochan's exacting material culture scholarship. Such world-class historical accuracy, together with artist Troiani's insistence upon "period-correct" faces and physiques, has produced for us a strikingly innovative window upon the Revolution.