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The other chapters bring together McCullin's finest work from Cyprus (1964-65), The Congo (1964-66), Vietnam (1965-68), Biafra (1968-70), Derry (1971), Cambodia (1970-75) and Beirut (1976-82). There are some truly horrifying pictures of these conflicts, whose impact is strengthened by deadpan captions: "Murdered man, shot through the brain, Stanleyville, 1964", "A sixteen-year old mentally handicapped boy. The doctor laughed at him. Biafra, 1968", "Dying Cambodian paratrooper hit by the same mortar shell that hit McCullin, Cambodia, 1970". In her introductory essay Susan Sontag argues that McCullin's extraordinary images are "an invitation to pay attention, to reflect, to learn, to examine the rationalisations for mass suffering offered by established powers". In Don McCullin we have one of the most shocking and compassionate chroniclers of mass suffering, who remains as relevant today as ever before. --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.
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The images are simple, powerful, captivating and thought provoking. Taking every day subjects and people and capturing them in this way should serve as an inspiration to any budding reportage photographer.
You are left with more questions than answers in many cases and with a stark represntation of reality in others that can leave you somewhat uncomfortable.
A compelling set of inmages.
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