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About the Author
Henrik Ibsen was born at Skien in Norway in 1828. He turned to journalism and playwriting instead of pursuing a university career. Ibsen was one of the earliest writers to dramatise the individual's alienation from society. Although Ibsen was never fully appreciated during his lifetime, he has since come to be recognised as one of the great dramatists of all time and the "Father of Modern Drama."
Peter Watts trained as a doctor at Cambridge but then turned to journalism and the theatre.
An open space in the Chamberlain's grounds; evening. Read the first page
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Yes, "A Doll's House" is still the intriguing, fascinating play it always is. As a play, "A Doll's House" is highly recommended. Just don't get it HERE. Why? Well, mostly because of what ELSE is offered. The first play here is the strange, confusing "League of Youth". It unfortunately did not reach Ibsen's level of mastery as found in the later plays. Too many characters and nothing particularly interesting just had the play stop and stall.
While all of Ibsen's plays are worth purchasing (if only for study), the problem here is the edition. For the same price (or less), one can get "A Doll's House" with much better plays with four per collection. A personal recommendation is that of Oxford's World Classics, mostly due to the presence of the incredible "Ghosts". Signet Classics also has an edition, for those who want something cheap and easy, though it has "The Wild Duck" (not as good as "Ghosts", but still so much better than "League of Youth"). Both editions also have "Hedda Gabler" and "The Master Builder". When given a choice between four plays or three, four is preferred, especially when they are the better works.
Turn elsewhere.
Helmer, who has just been named a manager of a bank, is always treating Nora in such a sweet manner, such as "Is that my little lark twittering out there?" or calls by another bird's name. She always gets little money from Helmer, but never gets large sums because Helmer is worried he thinks she doesn't know how to manage her money wisely. In the beginning, Nora treats Helmer with overwhelming respect although Nora is hiding her loan that she is paying off on a regulaly with some of the money from Helmer. Nora doesn't want Helmer to think she took a loan since she thinks it could affect their relationship.
There are three other supporting characters in this play: Dr. Rank, Nils Krogstad, and Christine Linde. Dr. Rank is a friend of the family who is seriously ill. Nils Krogstad a worker at the bank, who is about to his job to a friend of Nora's, Christine Linde, a woman who recently moved back to the area because her husband died.
At the end of Act II, we find out Nora forged her father's signature on the loan. Krogstad had written a letter to tell Helmer about the loan. Nora is worried that Helmer will read the letter Krogstad wrote.
This play is about a woman trying to understand her marriage, and always wanting something wonderful to happen. With Helmer, she finally realizes that she isn't being treated the way she wants, and nothing wonderful seems to happen. Nora had no trouble making the decision of leaving her family, but perhaps she would have had a hard time recovering from this rare type of circumstance in this time and age.
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