This book is a great, in-depth look at the Dogme 95 movement. It's the first book I've seen that attempts to cover most of the Dogme films, as well as precursors to the Dogme movement (Godard, Warhol, etc). Jack Stevenson does a great job keeping it interesting, and keeping his perspective on the whole thing too. It's fun to read about the more well-publicized Dogme films like The Celebration and The King is Alive, as well as lesser known but worthy efforts such as Resin and The Sparkle Room. This book makes me want to track down a bunch of films. I highly recommend it to anyone interested in Dogme (or Lars von Trier, or indie film in general).