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Amazon.co.uk Review
The phrase "it's a religious comedy" must have caused Hollywood to have a sacred cow. And, as Smith's first attempt to move away from the early lo-fi, character-centred, relationship-based comedies (Clerks, Mallrats and Chasing Amy) toward the narrative-led big-budget spectacular, Dogma is not without problems. Proving controversial on release, stones were cast by churchgoers and Smith devotees alike. Frothing-mouthed extremists levelled charges of blasphemy at the more colourful elements (a Malcolm X-style 13th apostle, the crucifix being binned as uncool and God not being a white-bearded patriarch), leaving the devoutly Catholic Smith, who's intentions were to celebrate the mystery and beauty of religion, completely bemused. Equally, the Luddite Clerks obsessives who wrote it off as "Smith-gone-Hollywood" should have recognised that the script was written way before he gave us his black-and-white debut.
More ambitious than his previous mates-roped-in cheapies, the apocryphal and apocalyptic Dogma is still blessed with water-into-wine performances, pop culture gags, postmodern self-referencing and stoopid shagging jokes. Though it may not be wholly miraculous, this is still a righteous movie; and, in comparison with the average big-buck formulaic Hollywood evil, it's practically saintly.
On the DVD: Dogma's budget outstripped the early Smith films by miles, and the 2.35:1 Anamorphic Widescreen transfer does it justice, with divine colour and heavenly sound. The picture quality of the extras--including trailers, TV spots and cast and crew interviews--is not so good and pixilation occurs throughout. The interviews are provocative enough, though, giving huge insight into the film. And it's quite something to see Smith looking all "Clark Kent" in his civvies. --Paul Eisinger
Synopsis
Imaginative theology and a bigger-than-usual budget make Dogma--Kevin Smith's ("Chasing Amy"; "Clerks") fourth film--a kind of post-Catholic fantasy that only a comic-book enthusiast of his caliber could dream up. Dogma concerns fallen angels Loki (Matt Damon) and Bartleby (Ben Affleck), who, after a few millennia in Wisconsin, discover a loophole in Catholic doctrine that would allow them back into heaven. The only problem is that their finding would prove the fallibility of God and destroy the universe. As they make their way to New Jersey to receive a plenary indulgence, God dispatches a seraph (Alan Rickman) to recruit lapsed Catholic Bethany (Linda Fiorentino), who attempts to stop the angels. She finds help in two prophets, Jay and Silent Bob (played by Jason Mewes and Kevin Smith respectively), and the forgotten 13th apostle, Rufus (Chris Rock). Before long though, all hell breaks loose (literally) and God (Alanis Morrisette) has to put in an appearance of her own. Smith's controversial and very funny film is powered by his trademark dialogue and is ripe with observations on pop culture, religion, and bodily functions.
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The Church is in a renewal process and seeking to attract people to enlarge its flock. Some of the changes involve revamping the depressing image in the crucifix for a smiling, winking and thumbs-up Christ. Also, a Church in New Jersey decreed a day in which everyone that passes through its gates will be cleansed of all sins and forgiven by God. Loki (Matt Damon) and Bartleby (Ben Affleck) are two angles that have incurred in God's wrath and therefore were expelled from heaven and condemned to live in Wisconsin from the rest of their eternal lives. They see this as an opportunity to be forgiven and allowed to return to heaven.
The path to their destination is not an easy one though, since by achieving their forgiveness they would prove God wrong, and existence will cease because it is based on the fact that God is always right. Therefore, Loki's and Bartleby's journey affects a large number of people and other mystic figures. There are two sides to the conflict, those that want to prevent them from getting to their destination, and those that want to help them and create chaos. Among muses, demons, the thirteenth apostle and a Golgothan, which by the way is super gross, we find a woman named Bethany (Linda Fiorentino). She is at a tough stage in her life and has almost lost her faith, but is requested by Metathron, the voice of God, to stop the two angels in their quest.
The way in which the film questions some of the beliefs of religion is smart and funny, and the talented cast help make this a very pleasant experience. For example, Chris Rock in his role of the thirteenth apostle is hilarious, showing his usual sense of humor with quick and witty jokes. I also found interesting the questioning of God's sex and Jesus race, which I think spices up several scenes throughout the movie and allows for some very funny moments.
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My personal favourite is Alan Rickmans role as the Seraphin, its full to the brim with moments to... Read more
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