Brilliant campaigning journalist John Pilger has made some of the most revealing and fascinating television documentaries ever seen on British screens. This three disc set has collated 12 of these from 1970 onwards and acts as a useful, if rather random world history as well as bringing the revelations of little known truths and acting a blistering expose of various Governments and States mendacity and greed.
The 12 documentaries are: Vietnam -The Quiet Mutiny (1970), Year Zero-The Silent Death of Cambodia (1979), Burp! Pepsi v Coke In The Ice Cold War(1982), Nicaragua-A Nations Right To Survive(1983), Death Of A Nation -The Timor Conspiracy (1994), Flying The Flag-Arming The World(1995), Inside Burma, Land of Fear(1996), Welcome To Australia(1999),Paying The Price -Killing The Children Of Iraq(2000), Palestine Is Still The Issue(2002),Breaking The Silence -Truth And Lies In The War On Terror(2003),Stealing A Nation(2004).
There is little doubt that the more contemporary documentaries have more resonance, especially the one covering the fraudulent war on terror, which is also incredibly prescient. However they are all compelling in their own way , although I would suggest that "Welcome To Australia " is really of interest to Australians only and does come across as unnecessarily sour.
A lot may depend on how you view Pilger. He is articulate, passionate, courageous and fearsomely determined and his heart is absolutely plugged into the right place. However he can be pompous, sanctimonious, holier than thou and is resolutely humourless. You may think humour has no place regarding the subjects covered here and you may well be right but I feel that a touch of satire or black sarcasm often makes a point far more effectively than anything else. It's not Pilgers thing though .He sticks to what he is good at- finding out the empirical truth behind all the subterfuge, defamation and propaganda and telling it like it is.
It would take a truly single-minded hardy soul to sit through all three discs in one sitting, not to mention a very large cushion but taken in single sittings these are some of the most powerful exposes ever filmed for TV and show that exponents of a similar vein plying their trade in film (Michael Moore for instance) have worshipped at his altar more than once. It,s debatable whether any of these actually changed the world either as the continuing need for them proves.