Document (Remastered) [Extra tracks]

Two of the singles were big US hits and got them noticed in the UK: both It's the End of the World As We Know It (& I Feel Fine) and The One I Love would be hits when reissued by IRS in the wake of Out of Time's huge success. It's the End...is a wild blend of rockabilly, Subterranean Homesick Blues and startling harmonies- Stipe's dream of people with the initials LB (Lester Bangs, Leonard Bernstein, Lenny Bruce...) occurs and Mills call/response vocals "It's time I had some time alone!" are superb. Just a pity that Billy Joel would rip it off for his dire 1989 (s)hit single We Didn't Start the Fire! The One I Love is an important song (even if it's a little similar to Smithereens single Behind the Wall of Sleep from 1986)- a brilliant riff worthy of Neil Young pins down a deceptively cruel song ("a simple prop to occupy my time")- this & Every Breath You Take remain the nastiest songs that people think are about love! There is an alternate version of The One I Love, originally called This One Goes Out here- which is sublime and more acoustic & was originally found on It's the End...'s 12" version (though the brilliant take of Maps&Legends is sadly not included).

The third single (&opening track) Finest Worksong advances a more political line ("the time to rise has been engaged/you'd better best rearrange")- a funky-bassline pins the song down, advancing on 86's Begin the Begin. Stipe oozes disdain onto Reagan's era- the theme of the album can loosely be seen as an anti-Reagan album (Welcome to the Occupation, Exhuming McCarthy). The alternate mixes of Finest Worksong has more brass in, but aren't that necessary (the other extra tracks are a live take of Disturbance..., the Floyd Kramer classic Last Date (though not the version rumoured to have been recorded with Debbie Harry) & the sublime medley of Time After Time/Peter Gabriel's Red Rain & South Central Rain: A MUST!).

Exhuming McCarthy is extremely caustic, seeping vitriol at the USA's behaviour in Central America, Iran-Contra & the ethics of yuppiedom (it's also namechecked by Douglas Coupland in one of his early novels). A great funk style bassline where Mills&Stipe bounce off each other "it's a sign of the times!". Odd that a song sounds so bouncy, when it's about such terrible climes. The Byrds-inflected guitars of earlier releases are present- notably on Welcome to the Occupation (another song that mentions fire) & Disturbance at the Heron House (apparently Stipe's most political song; I'm as baffled as everyone else!). There's also a lovely cover version of Wire's Strange (from 1977's classic Pink Flag)- REM introducing a more obvious pop element to their oeuvre (the following year's Stand would advance this somewhat).

The latter half of the album is slightly weaker- the sax ridden Fireplace, the odd beat-frenzy of Lightnin Hopkins being rather slight. King of Birds, alternately, is one of the great REM ballads- advancing on songs like Old Man Kensey, Flowers of Guatemala & Cuyahoga, and paving the way for songs like World Leader Pretend & I Remember California. The final track showcases suitably fiery guitars from Peter Buck- easily up there with Johnny Marr's huge sound on The Queen is Dead.

Document has aged well, though the following year's Green would perfect the rock-side of REM (Green has more variety, shifting from 60spop to acoustic ballads to rock songs). Document remains a highlight of the late 80s and with the bonus tracks is great value at this budget price. This is the record that put REM, seven years into their career, onto the path of global superstars that they remain today & along with Radiohead and Zoo-U2, the acceptable side of stadium rock. & the pics of the band are great- Stipey with lovely long hair and Bill Berry dressed like something out of The Wild One!