- Audio CD (24 Jan 2000)
- Number of Discs: 1
- Label: BBC
- ASIN: B00003XB2C
- Amazon Bestsellers Rank: 288,581 in Music (See Top 100 in Music)
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| 1. Doctor Who Opening Title Theme | |||
| 2. Terror Of The Zygons: The Destruction Of Charlie Rig | |||
| 3. Terror Of The Zygons: A Landing In Scotland | |||
| 4. Terror Of The Zygons: Murder And Mystery On Tulloch Moor | |||
| 5. Terror Of The Zygons: Wreckage | |||
| 6. Terror Of The Zygons: The Zygons Attack | |||
| 7. Terror Of The Zygons: Decompression | |||
| 8. Terror Of The Zygons: The Zygons' Ultimate Weapon | |||
| 9. Terror Of The Zygons: Trance | |||
| 10. Terror Of The Zygons: False Harry | |||
| 11. Terror Of The Zygons: Monster On The Moor | |||
| 12. Terror Of The Zygons: Death At The Inn/Hunt For Zygon | |||
| 13. Terror Of The Zygons: The Secret Of Forgill Castle | |||
| 14. Terror Of The Zygons: Ascent And Descent | |||
| 15. Terror Of The Zygons: A Call From The Prime Minister | |||
| 16. Terror Of The Zygons: To London/Death Of Broton | |||
| 17. Terror Of The Zygons: The Monster Goes Home | |||
| 18. Terror Of The Zygons: Return Ticket | |||
| 19. The Seeds Of Doom: Antarctica: The First Pod | |||
| 20. The Seeds Of Doom: 'It's Growing!' | |||
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Burgon's scores employ flute, clarinet, harp, violin, cello, clavichord and percussion, together with electronic processing by the BBC Radiophonic Workshop and numerous imaginative performance techniques. The result is a sequence of stark and weirdly unsettling soundscapes that instantly evoke memories of classic Doctor Who. Beyond the very occasional pastoral moment, melody is far away, making this a very different musical world to Burgon's Brideshead Revisited, yet sharing something in common with his acclaimed Requiem. The album tracks are taken from the composer's own listening copy of the original mono tapes, and while purists may object to the subtle stereo reverb which has been added, the sound is remarkably clear and detailed. The album also features Ron Grainger's familiar opening and closing title music. --Gary S. Dalkin
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