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Doctor Who The Aztecs (Classic Novels) [Audiobook] [Audio CD]

John Lucarotti
4.8 out of 5 stars  See all reviews (4 customer reviews)
RRP: £11.04
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Book Description

26 July 2012 Classic Novels
The TARDIS materialises in Mexico during the Aztec civilisation. The Doctor and his companions step outside to discover they are inside a tomb - the tomb, it turns out, of Yetaxa, once High Priest of the Aztecs. Barbara is hailed as Yetaxa's reincarnation by Autloc, High Priest of Knowledge, and Tlotoxl, High Priest of Sacrifice, when they find her in the precincts of the tomb wearing the bracelet of the deceased Priest, now revered as a god. And she takes advantage of her position of unaccustomed power to try and dissuade the Aztecs from practising human sacrifice...William Russell, who played the Doctor's companion Ian in the original TV serial, reads John Lucarotti's complete and unabridged novelisation, first published by Target Books in 1984.

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Product details

  • Audio CD
  • Publisher: BBC Audiobooks Ltd; Unabridged edition (26 July 2012)
  • Language: English
  • ISBN-10: 1445891786
  • ISBN-13: 978-1445891781
  • Product Dimensions: 14.2 x 2.5 x 12.4 cm
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 230,142 in Books (See Top 100 in Books)

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Customer Reviews

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Most Helpful Customer Reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars "You can't rewrite history, not one line!" 30 Sep 2012
By D. Smith TOP 1000 REVIEWER
Format:Audio CD|Amazon Verified Purchase
The TARDIS lands in 15th Century Mexico, and the time-travellers find themselves drawn into the world of the Aztecs. With the TARDIS locked inside a tomb, the Doctor must find a way to get inside - no easy task when they were designed to keep grave-robbers out.

The Doctor's companions all have their own problems. Barbara is mistaken for the God Yetaxa, and must face the suspicion of the High Priest of Sacrifice - Tlotoxl, who is convinced she is a false goddess. Ian finds himself drafted into the Army, fighting for survival against the jealous Ixta. And Susan faces being married off to the Perfect Victim, soon to be sacrificed with all honour. And then the Doctor finds he has accidentally become engaged ....

The Aztecs by John Lucarotti was published by Target Books in 1984 and was based on his four-part story transmitted in 1964. It's a good adaptation of a well regarded story, sticking closely to the source material. It's interesting to see how Lucarotti deftly draws his characters, and there are no heroes and villains, with each protagonist having their own point of view and motivations.

Indeed, when the TARDIS crew leave, Barbara reflects that they have destroyed the faith of the reasonable Autloc, who believed in Barbara as Yetaxa. When he finds he has been deceived, he leaves the city to wander the wilderness outside.

William Russell, who played Ian Chesterton in the original story, is the reader. Now in his late eighties, it's wonderful to hear him re-tell these stories from nearly fifty years ago. The sound effects and music, which on some of these releases can be overwhelming at times, are quite restrained.

The Aztecs is a very strong entry in the ever growing series of Doctor Who Classic Novels audiobooks and the quality of the original story, as well as the reading by William Russell, make this well worth picking up.
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5.0 out of 5 stars The Great Spirit of Yetaxa has returned 6 Oct 2012
By Keen Reader TOP 500 REVIEWER
Format:Audio CD|Amazon Verified Purchase
The audio readings of the novelisations of the classic Doctor Who stories are absolutely and utterly brilliant, and this is no exception. William Russell (Ian in the original series) reads John Lucarotti's novelisation of his own story first broadcast in 1964, only the sixth story of the first season of Doctor Who.

Ian and Barbara are still newbies in the time travel world, and Barbara, finding herself mistaken for the returned spirit of the great god Yetaxa, sees this as a chance to persuade the Aztecs to stop their blood sacrifices, and hopefully avert the awful fate she knows is theirs in just fifty years time with the arrival of the Conquistadores. The Doctor, sadly, knows there is nothing she can do to change history, but Barbara has to learn this lesson herself.

Meanwhile, Ian is taken to become an Aztec warrior and incurs the envy of Ixta who wants to be the chief warrior himself; Susan, Yetaxa's handmaiden, rebels against the rules of the Aztecs and is used as a pawn by the High Priest of Sacrifice, the ghastly Tlotoxl, in his schemes to remove all the time travellers from his path. It's up to the Doctor to try and find a way where they can all safely get back to the Tardis and leave; but circumstances don't make this easy.

This is a fantastic story; it's long enough that we get to really know the main characters; not only the Doctor and the Tardis crew, but the priests, the warriors and the lady Cameca, and those who give themselves in sacrifice to their gods. The twists and turns of the story, the wonderfully rounded characters and the Tardis crew are all in fine form in this story, and the reading by William Russell is, as always, absolutely spot on. This is 4 hours and 55 minutes of unalloyed joy to listen to, and is one that will be treasured and listened to often.
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2 of 4 people found the following review helpful
Format:Audio CD
The triumphant fanfare that heralds the start of an epic adventure is an effective clarion rallying call for fans - young and old(er) - to boil the kettle, steep the tea, snap the Digestive biscuit ready for the indulgent two-second dunk (any longer and you invariably know what will disastrously happen) and sink into the sofa accompanied, again, by the reassuring tones of the DOCTOR WHO `elder statesman' actor, William Russell.

With no disrespect to the readers of the AUDIOGO's NEW SERIES tie-in audiobooks, where at times the reading is as radiant as celestial black hole, but William Russell's presentations, both current and previous, are far superior, being delivered with panache, diligence and depth, that begs the question why are readers who are devoid of talent are employed.

In DOCTOR WHO - THE AZTECS, Russell (if you didn't know already, in 1963, he played secondary school science teacher, Ian Chesterton, one the First Doctor's travelling companions) provides a master class that marks a waterline for other audiobook readers to aim for.

John Lucarotti's 1964 script has been faithfully transferred to his 1984 TARGET novelisation, and whilst a number of readers have commented that the novel was seemingly heavy going (very plot wieldy) I can reassure you that this unabridged reading is far more accessible, approachable and intriguing, realising those magical moments that the author planted throughout it.

"The TARDIS has materialised", the Doctor announced.

It's Mexico 1507, and the TARDIS has landed with the tomb of Aztec deity, Yetaxa. With her curiosity getting the best of her cautiousness, Barbara leads the time travellers out from the tomb only to discover that they cannot regain access to the TARDIS that lie beyond an impossible gateway. With Barbara hailed as the new embodiment of Yetaxa (courtesy of a bracelet that she purloined from the tomb), the secondary school history teacher attempts to change history by persuading the Aztecs to abandon their barbaric practice of human sacrifice. Unfortunately, all does not develop in the way that she had hoped and wanted.

Of course, with William Russell's first-hand knowledge his interpretation of William Hartnell's First Doctor is given an extra-dimensional proportion of verve and surliness that will transport long-time viewers of the CLASSIC SERIES back to the moment that they squinted at a postage stamp sized monotone television screen during the original 1964 broadcast.

Whilst the Doctor is veraciously adroit, the `junior time lord', his Granddaughter, Susan, is realised in an honest, subservient, waif-like manner that endeared her (and actress, Carole Ann Ford) to fans nearly 50 years on. However, Russell delves deep with Susan's psyche to deliver an indignant rant as the character confronts the fact that, without consultation, she will be forced in to an arranged marriage with the Perfect Victim.

Not only does William Russell embrace the time travellers' characterisation but he manifests the Aztecan stereotypes with accuracy. Tlotoxl is appropriately grievous, cunning and malevolent whilst Cameca, the Doctor's `love interest' in a manipulative type of way, is supinely delicate and besotted by the Time Lord's attention.

However, it is with episode four's (titled THE DAY OF DARKNESS) stunning account of Ian Chesterton's seemingly impossible and death defying assent through the tunnel (leading from the Garden to the Yetaxa's tomb) does William Russell tempts you to the edge of the sofa, and there teetering as your heart wields uncontrollably as the school teacher defies the sheer vertical 170 feet drop to certain death. Russell (coerced by Kate Thomas' superb and deft direction) paces Lucarotti's text with such precision that only a surgeon skilfully handling a scalpel during heart surgery could match, and emphasises the thrilling scenario not only with tone & weight of text but with silence.

Co-starring alongside William Russell, MEON POWER's special sound effect treatment is beguiling at times, whether the subtle echo-laden Aztec tomb or the ever-present cicada chirping or the irritating drive-bombing of corrigible wasps. Historically atmospheric, Simon Power's contribution continues to enhance the enjoyment of AUDIOGO's CLASSIC SERIES releases.

Once again, AUDIOGO has released yet another - and I am beginning to sound like a fawning `groupie' - remarkable unabridged novelisation from the TARGET archive, with William Russell rapidly becoming the archetypal reader for any CLASSIC SERIES production.

It can only be hoped that his previously recordings published as a 2005 limited-edition boxset, DOCTOR WHO - TRAVELS IN TIME & SPACE, is re-released (as single items) for those who missed them can enjoy the three stories (THE DALEKS, THE CRUSADES and THE ZARBI) for the first time.
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