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35 of 37 people found the following review helpful:
5.0 out of 5 stars
JUST HOW DO YOU IMPROVE ON PERFECTION?, 2 Jul 2007
I'll say it quickly: HUMAN NATURE/THE FAMILY OF BLOOD and BLINK are three of the best DOCTOR WHO episodes you are ever likely to see. Bottom line. I'd even go so far as to say that if Actively Disliking Science-Fiction was the mainstay of my life, I'd still buy this - just to have something really brilliant to rail against. And why not? Makes sense to me, it's that good. No, it's better even than that.
Adapted by PAUL CORNELL from his own novel, 'Human Nature' (originally featuring Sylvester McCoy's seventh Doctor), it's a story about Time Lord energy and the relentless pursuit of it across time and space by The Family of Blood: a ruthless alien clan, devoid of compassion, ready to spread like cancer throughout the galaxy. Either that, or die out. If The Doctor can only avoid detection for three months, their brief lifespans will see to the rest - hence the need to find him quickly and drain his energy. But it soon becomes clear that, in order to drop off the radar completely, The Doctor needs to temporarily relinquish being a Time Lord and become human. With the aid of TARDIS technology, the result of that decision is one JOHN SMITH, senior teacher at a Boys' Public School in 1913, on the eve of The Great War. And MARTHA JONES is his maid, with prior instructions to 'look after' him until the danger has passed. She can then 'restore' The Doctor via a fobwatch containing his otherworldly essence. However, as a human, John Smith is completely unaware of his real self. And that's where the problems begin...
Oh, boy. Did I mention that, despite The Doctor's emergency measures, the Family of Blood have traced him to the local vicinity, taken over the bodies of appropriate inhabitants and begun 'sniffing' out their quarry?
Normally I tend not to get bogged down in story summary but this is a very deserving exception; there are issues dealt with here that transcend the lightweight nature of other episodes, such as the inevitability of war, bravery in the face of the enemy, race and social standing, identity, love...
That these elements are all neatly tied-up, with a genuinely uplifting and simultaneously heartbreaking coda which made me shed more than one tear (dammit, not again!), is testament to storytelling and production of the highest order. Watched as a whole you will inevitably find yourself going back to scenes or specific moments again and again: the gunning down of the army of scarecrows; the standoff in the school courtyard between the alien-absorbed Baines and the Headmaster, Mr Rocastle, "You speak with someone else's voice, Baines"; "The Fury of the Time Lord"; John Smith terrified that he's "just a story"; Martha telling TIM LATTIMER that he doesn't have to fight and the young boy, having attained an insight into what's to come, replying "I think we must"...and so much more.
The acting, as you would imagine, is also magnificent. DAVID TENNANT is allowed here to go way beyond his 'Doctor' persona and delivers by pushing the human John Smith character through the emotional wringer. It's a revelation - and never less than convincing. The rest of the cast, without exception, also rise to the occasion, but I must single out HARRY LLOYD - his JEREMY BAINES is one of the most sensational alien-posessed nasties I have ever seen on the show.
FREEMA AGYEMAN continues to demonstrate what an asset to Doctor Who she is. Not just any old companion, Martha Jones is the best companion in the show's history - no over-the-top histrionics, no cloying or smug behaviour, no reduction to cypher in order to explain the plot - she's as 3-dimensional as we're going to get and we're very lucky to have her, especially considering what she's had to put up with. I mean it's surprising that she sticks around at all because The Doctor sure ain't paying her any attention. This is one unrequited emotional dynamic that needs to be resolved. And soon.
So, to sum up: A beautiful story over two virtually perfect episodes. And let's be honest, when quality of this standard is achieved, nitpicks are a pretty pointless exercise. Perhaps I might need them for the next release, Who knows?
BLINK is this season's budget, 'Doctor-Lite', episode. Really? It is also one of the most unusual and original pieces of science-fiction television in many years. Demonic statues that attack in the blink of an eye. Stare at them and you're safe, but the moment you look away...well, there goes the rest of your life, the weeping buggers steal the remaining years and send you back in time to another era as a thank-you. How rude.
Unfortunately, The Doctor and Martha have been caught out and are stuck in 1969 without a paddle, much less a TARDIS. However, they've been leaving messages in a spooky house for a certain SALLY SPARROW to save them, making her both focus and catalyst for what is to come. Writer STEPHEN MOFFATT is an absolute genius at this left-field type of storytelling and his use of hidden DVD 'Easter Eggs' as a means of contacting the right person (geeky film-nut, in this case) is a stroke of genius - in a script packed with similar touches - and will guarantee him Serious Credibility at sci-fi conventions the world over. Yet another Scotsman at the top of his game.
The ending is clever and logical (despite the paradoxes) and the production is kept relatively claustropobic to suit the mood. Yes, there are several laugh-out-loud moments along the way but, damn, those statues are scary - if I had seen this as an eight-year old, I would probably have needed a change of pyjamas.
Okay, this is my longest review to date - and if you've stuck with it, thank you - but my intention is simply to convey just how special the above truly is. And it's my honest opinion that we should own these episodes not just because doing so helps towards the lifespan of the series as a whole, but also because quality writing - anything that allows for the creation of more examples like this, pushing the bar of excellence ever higher - is a worthy cause.
If you don't believe in those lofty aims, however, then just have something really brilliant to rail against...you'll feel much better for it.
UNRESERVEDLY RECOMMENDED
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19 of 20 people found the following review helpful:
5.0 out of 5 stars
The 3 best of Series 3!, 2 Jul 2007
Without a doubt these three episodes where by far the best of the season and ones you could watch again and again and still be just as scared.
In Human Nature the Doctor is being stalked by the sinster family of blood who want his Timelord DNA to enable them to live forever in his life-span. However, the Doctor must go to drastic lengths to stop them - changing his DNA to that of a human. With his Time Lord DNA stashed in a pocket watch the Doctor transforms into humble 1913 School Teacher John Smith and Martha, who is the only person in on the secret must act as his maid. What she doesn't bank on though is a young boy stealing the watch and John Smith falling in love with the matron (Jessica Hyde (nee Stevenston) of Royle Family fame) Martha is beside herself, and with the family of blood using sinister scarecrows (by far the scaries monsters this season)to locate the Doctor, Martha must find the watch and convince John Smith of his real identity.
In Family of Blood war has come to England a year in advance as the terrifying family search for The Doctor. But the Doctors loyalties are severly tested when in a tender tear-jerking montage he realises what he could have with the kindly matron; marriage and children. But when the boy gives the watch back to Martha she must convice the Dr to take back his old DNA but will his love for the kindly matron override his natural Timelord insticts? A very poignant moment at the end, when years later, The Doctor and Martha go to visit the boy who took the watch, who is now a war veteran. Very tearjerking but thoroughly well written episodes
In Blink, a mysterious message from The Doctor written in 1969 for Sally Sparrow warns her of the mysterious 'weeping angels' - In an old abandoned house the weeping angels wait; only The Doctor can stop them but he's lost in time. Trapped without his TARDIS in 1969, the Doctor must put his trust into Sally via hidden Easter Eggs in her favourite DVD's. However, the Weeping Angel statues are after the TARDIS too. Blink and they move and you die! How will Sally stop the Angels and reunite the Doctor with his TARDIS?
Since I started watching Who last series, this is the only episode that gave me nightmares. Last series equivalent Love and Monsters where the Doc and Rose take a back seat was terrible but this one, in the same format is excellent. It just goes to show what you can do with a cracking writer. The 3 best episodes of Series 3!
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13 of 14 people found the following review helpful:
5.0 out of 5 stars
Proving why series 3 is the best yet, 31 Jul 2007
Yet another absolutely brilliant 3 episodes from series 3 of Doctor Who starring David Tennant as The Doctor.
The first two episodes, "Human Nature" and "The Family of Blood", are a double-feature based in England during 1913. The story is told partly flashing back to scenes in which the Tardis is being pursued, under attack using some kind of energy beam weapon. The Doctor tells Martha that those who are pursuing him could trace him across the universe, and he must undergo a transformation to turn him into a human. His pursuers are dying, the Doctor says. His plan is to transform into a human for three months, by which time those beings should all be dead. His Time Lord configuration is stored in a fob watch and Martha is charged with guarding it. As a human, John Smith, the Doctor becomes a schoolteacher in Farringham School in England before the Great War. The story picks up two months into his human life. Smith is unaware of his previous life as a Time Lord, and his character is quiet, a little timid and introspective. He has dreams of being a Time Lord and sometimes sketches them in a notebook, his "Journal of Impossible Things". Martha (who is aware of what is happening and remembers everything) is his maid.
In the third episode, "Blink", (set mainly in 2007), Sally Sparrow breaks into a dilapidated house called Wester Drumlins to take photographs. There she discovers behind the peeling wallpaper a message from "the Doctor" dated 1969, calling her by name and telling her to "duck now", just before an object launched from behind nearly hits her. She then returns the next day with her friend, Kathy Nightingale. A man soon arrives at the door with a decades-old letter from Kathy, who has just disappeared. Sally thinks this is a prank, and while searching for her, Sally encounters three Weeping Angel statues, one holding a Yale key. She takes the key and leaves the house, unaware that the Weeping Angels are watching her from the windows.
There are 3 pretty creepy episodes on this DVD which are also probably the best episodes from the whole of series 3. Once again David Tennant plays The Doctor brilliantly, beaming with confidence and wit. His John Smith character in the double-bill really shows his acting capabilities portraying a character that is very different to The Doctor. Freema Agyeman continues her role as The Doctor's companion, Martha. Again, another excellent performance and one of the strongest companions so far. Overall this is a top quality sci-fi series and these are 3 of the best episodes to prove it.
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