Review
`These stories are brilliantly uncanny: not because of the ghosts and giants and talking birds which haunt their margins, but because of what those unsettling presences mean for the very human characters at their centre ... A startling, and startlingly good, debut'
--Jon McGregor
`These are stories from the places where magic and reality meet. It is as if the Cornish moors and coasts have whispered secrets into Lucy Wood's ears and, in response, she has fashioned exquisite tales of mystery and humanity. In her prose, the fabulous moves across the everyday like the surf moving over the shore, shifting it in subtle measures, leaving it altered in its wake'
--Ali Shaw
'These stories are brilliantly uncanny: not because of the ghosts and giants and talking birds which haunt their margins, but because of what those unsettling presences mean for the very human characters at their centre ... A startling, and startlingly good, debut' ----Jon McGregor
`Lucy Wood has an intensity and clarity of expression, deeply rooted in a sense of place. Her stories have a purity and strength, and an underlying human warmth; they resonate in the mind' ----Philip Hensher
`Each year, book blurbs tell you that a thousand new writers have fresh, distinctive voices. But fresh, distinctive voices are actually very rare. Lucy Wood has one' ----Michel Faber
'These are stories from the places where magic and reality meet. It is as if the Cornish moors and coasts have whispered secrets into Lucy Wood's ears and, in response, she has fashioned exquisite tales of mystery and humanity. In her prose, the fabulous moves across the everyday like the surf moving over the shore, shifting it in subtle measures, leaving it altered in its wake' ----Ali Shaw, author of The Girl with Glass Feet
'Cornish folklore for the modern day done in a beautiful, spooky way' ----Harper's Bazaar
'A vibrant new voice' ----Tatler
'Utterly different in every way from Keret, in their Angela Carter-ish Englishness, but equally compelling' ----Erica Wagner, The Times
'Wood's finely wrought collection has touches of a benign Angela Carter and recalls the playful yet political transmogrifications of Atwood and Byatt' ----Guardian
'[A] refreshing debut collection about seasiders young and old ... A winning combination of spooky mystery and toast-and-tea cosiness, with much warmth and tenderness, even as an unsettling quality remains, as if Wood might be enjoying a joke you can't quite figure out' ----Metro
'One of the best aspects of these stories is the way in which the daily lives of their characters become imbued with a mystical, folkloric significance ... although many readers will enjoy the evocations of Cornish myth and the looming presence of the landscape, Wood's major talent is as an observer of the everyday' ----Times Literary Supplement
'Wood plays with the county's myth and folklore to make it seem exotic and eldritch ... Wood has a wonderfully deadpan way with her surreal subject matter, and writes equally well about the more quotidian topics of work and love' ----Literary Review
--Jon McGregor
`These are stories from the places where magic and reality meet. It is as if the Cornish moors and coasts have whispered secrets into Lucy Wood's ears and, in response, she has fashioned exquisite tales of mystery and humanity. In her prose, the fabulous moves across the everyday like the surf moving over the shore, shifting it in subtle measures, leaving it altered in its wake'
--Ali Shaw
'These stories are brilliantly uncanny: not because of the ghosts and giants and talking birds which haunt their margins, but because of what those unsettling presences mean for the very human characters at their centre ... A startling, and startlingly good, debut' ----Jon McGregor
`Lucy Wood has an intensity and clarity of expression, deeply rooted in a sense of place. Her stories have a purity and strength, and an underlying human warmth; they resonate in the mind' ----Philip Hensher
`Each year, book blurbs tell you that a thousand new writers have fresh, distinctive voices. But fresh, distinctive voices are actually very rare. Lucy Wood has one' ----Michel Faber
'These are stories from the places where magic and reality meet. It is as if the Cornish moors and coasts have whispered secrets into Lucy Wood's ears and, in response, she has fashioned exquisite tales of mystery and humanity. In her prose, the fabulous moves across the everyday like the surf moving over the shore, shifting it in subtle measures, leaving it altered in its wake' ----Ali Shaw, author of The Girl with Glass Feet
'Cornish folklore for the modern day done in a beautiful, spooky way' ----Harper's Bazaar
'A vibrant new voice' ----Tatler
'Utterly different in every way from Keret, in their Angela Carter-ish Englishness, but equally compelling' ----Erica Wagner, The Times
'Wood's finely wrought collection has touches of a benign Angela Carter and recalls the playful yet political transmogrifications of Atwood and Byatt' ----Guardian
'[A] refreshing debut collection about seasiders young and old ... A winning combination of spooky mystery and toast-and-tea cosiness, with much warmth and tenderness, even as an unsettling quality remains, as if Wood might be enjoying a joke you can't quite figure out' ----Metro
'One of the best aspects of these stories is the way in which the daily lives of their characters become imbued with a mystical, folkloric significance ... although many readers will enjoy the evocations of Cornish myth and the looming presence of the landscape, Wood's major talent is as an observer of the everyday' ----Times Literary Supplement
'Wood plays with the county's myth and folklore to make it seem exotic and eldritch ... Wood has a wonderfully deadpan way with her surreal subject matter, and writes equally well about the more quotidian topics of work and love' ----Literary Review
Review
These stories are brilliantly uncanny: not because of the ghosts and giants and talking birds which haunt their margins, but because of what those unsettling presences mean for the very human characters at their centre ... A startling, and startlingly good, debut Jon McGregor 'Lucy Wood has an intensity and clarity of expression, deeply rooted in a sense of place. Her stories have a purity and strength, and an underlying human warmth; they resonate in the mind' Philip Hensher 'Each year, book blurbs tell you that a thousand new writers have fresh, distinctive voices. But fresh, distinctive voices are actually very rare. Lucy Wood has one' Michel Faber These are stories from the places where magic and reality meet. It is as if the Cornish moors and coasts have whispered secrets into Lucy Wood's ears and, in response, she has fashioned exquisite tales of mystery and humanity. In her prose, the fabulous moves across the everyday like the surf moving over the shore, shifting it in subtle measures, leaving it altered in its wake Ali Shaw, author of The Girl with Glass Feet Cornish folklore for the modern day done in a beautiful, spooky way Harper's Bazaar A vibrant new voice Tatler Utterly different in every way from Keret, in their Angela Carter-ish Englishness, but equally compelling -- Erica Wagner The Times Wood's finely wrought collection has touches of a benign Angela Carter and recalls the playful yet political transmogrifications of Atwood and Byatt Guardian [A] refreshing debut collection about seasiders young and old ... A winning combination of spooky mystery and toast-and-tea cosiness, with much warmth and tenderness, even as an unsettling quality remains, as if Wood might be enjoying a joke you can't quite figure out Metro One of the best aspects of these stories is the way in which the daily lives of their characters become imbued with a mystical, folkloric significance ... although many readers will enjoy the evocations of Cornish myth and the looming presence of the landscape, Wood's major talent is as an observer of the everyday Times Literary Supplement Wood plays with the county's myth and folklore to make it seem exotic and eldritch ... Wood has a wonderfully deadpan way with her surreal subject matter, and writes equally well about the more quotidian topics of work and love Literary Review
