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Amazon.co.uk Review
The seemingly claustrophobic story of a man imprisoned in his paralysed body becomes a dazzling and expansive movie about love, imagination, and the will to live. After a stroke, Jean-Dominique Bauby (Mathieu Amalric, Kings and Queen) can only move his left eye--and through that eye he learns to communicate, one letter at a time. With the help of his speech therapist (Marie-Josee Croze, Munich) and a stenographer (Anne Consigny, Anna M.), Bauby writes the stunning memoir The Diving Bell and the Butterfly. But such a plot summary makes the movie sound like lofty, self-important medicine--far from it. Director Julian Schnabel (Basquiat, Before Night Falls), working from an elegant screenplay by Ronald Harwood (The Pianist) and with an outstanding cast (which also includes Frantic's Emmanuelle Seigner as Bauby's neglected wife), has created a movie as engrossing and hypnotic as a thriller, a movie that wrestles with mortality yet has stubborn streaks of dark humour and eroticism, that portrays a man who overcomes unimaginable obstacles but refuses to paint him as a saint. Schnabel was once dismissed as a pompous and overblown painter, but he's crafted an intimate visual poem, a humble sonata about life at its most fragile. --Bret Fetzer
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Most Helpful Customer Reviews
111 of 113 people found the following review helpful:
5.0 out of 5 stars
A masterpiece,
By Jaybird (London, UK) - See all my reviews
This review is from: Diving Bell And The Butterfly [DVD] (DVD)
The Diving Bell and the Butterfly tells the true story of a Jean Dominique Bauby, the debonair editor of French Elle, who suffered locked in syndrome following a devastating stroke. After the stroke he can only communicate by blinking his eye.
Everything about this as a premise for a film sounds terrible - he does not move, so what is filmic about it; he does not communicate verbally, so where is the dialogue or the relationships; he reflects on his life and his mortality, but how do you show that? Do not be put off. The film is beautifully made, turning faces into landscapes and using careful palettes of colour to distinguish pre and post stroke scenes. The film shows how Jean-Do becomes a cypher for those around him, providing meaning to their lives, even though inside he is intrinsically himself. In the end, the film is about the meaning of this man's life and all our lives, clear-eyed and fearless. It is moving without being sentimental or mawkish, insightful, funny, beautiful and intelligent. An absolute must see.
12 of 12 people found the following review helpful:
5.0 out of 5 stars
Funny, moving and beautifully shot - the best film of 2007!,
By
This review is from: Diving Bell And The Butterfly [DVD] (DVD)
The book is so beautiful a piece of personal philosophy that I went to see the film with some trepidation, but if anything the film adds to the book by Bauby. The film is beautifully shot, funny and moving (but not in a sentimental way).
The director (who does not speak fluent French) chose to retain the original language of the book and this, I believe speaks volumes in a world of cinema where the digestability of a film by a mass audience is often classed as more important than retaining the soul of a piece of artistic cinema. The film was originally meant to be made by Pathe and star Jonny Depp - I think a tragedy was averted! This film can be enjoyed (yes enjoyed - despite its theme it really isnt at all depressing) on so many levels - as a compelling human story, as an uplifting philosophy and as a work of art. You should not miss this film.
31 of 33 people found the following review helpful:
5.0 out of 5 stars
Touched by genius,
By
This review is from: Diving Bell And The Butterfly [DVD] (DVD)
Just when you started to feel that film had become little more than a merchandising exercise, along comes a release that reminds you what it can be. Reading The Diving Bell one could be forgiven for thinking it essentially unfilmable - so much is going on inside the head of the protagonist, there's little `action' not a great deal of dialogue, a slight plot... Yet, Schnabel's film is touched with genius and blessed with uniformly excellent performances, from the speech therapist down to the telephone engineers. Moreover, unlike other films dealing with disability, where the audience looks `at' the disability, here we look `from' - and there's a big difference. The decision to take the point of view from inside Bauby's head is inspired and completely transforms the relationship of the viewer to the subject. Technically and aesthetically it is a triumph - it's quite difficult to think how it could have been improved, even down to the soundtrack. Obviously, there's a depressing side to the tale of a man stricken by total paralysis(!), but the film stands as a testament to the remarkable resilience of the human spirit.
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