From Amazon.co.uk
Alfred Hitchcock fans may experience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (
The Salton Sea) and co-writer Carl Ellsworth (
Red Eye) use Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like
The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf,
Transformers) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss,
Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbours to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer,
The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse,
The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playing pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realises he's being watched, and rising star LaBeouf makes for an engaging leading man--despite his characters propensity for slugging Spanish instructors. --
Kathleen C. Fennessy
Product Description
A serial killer living next door? Kale Brecht (Shia LaBeouf), is a teenager placed under house-arrest after punching his Spanish teacher in the middle of class. Deprived of his X-Box by his had-enough mother Julie (Carrie-Ann Moss), Kale becomes a voyeur, increasingly interested in the lives of his neighbours, particularly Ashley (Sarah Roemer), the new girl next door. As his observations increase, Kale becomes convinced that another neighbour, Mr Turner (David Morse), is the serial killer at loose in the community. Is there more to Mr Turner than he makes out, or is it just a case of an overactive imagination?