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Disappearance [Paperback]

David Dabydeen
3.0 out of 5 stars  See all reviews (2 customer reviews)

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Paperback, 6 May 1999 --  
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Product details

  • Paperback: 180 pages
  • Publisher: Vintage; New edition edition (6 May 1999)
  • Language English
  • ISBN-10: 0099288885
  • ISBN-13: 978-0099288886
  • Product Dimensions: 19.8 x 13 x 1.8 cm
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 1,428,224 in Books (See Top 100 in Books)

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David Dabydeen
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Product Description

Amazon.co.uk Review

In his second novel, Disappearance, the prize-winning Guyanese poet David Dabydeen provides a richly layered poetic evocation of landscape and history, memory and change. Telling the story of a brief relationship between a young Guyanese engineer and the old woman he lodges with while building sea defences for a cliff-top village near Hastings, the novel uses metaphors of building and architecture to explore not only the experience of empire, but also the fragility of all imperial monuments to withstand the "timeless barrenness" of the land and the impermanence of memory, whether in the Caribbean, Africa or in England. Dabydeen's concern with the connections between the "monstrosity" of imperialism and its "nostalgia for the monumental" with how people use rituals of commemoration to construct continuous narratives of self considers how national sentiments come to reside in a nation's architectural heritage. After hearing his landlady's tales of her years in Africa, the engineer meditates on whether, in memory, one can ever finally "get rid of the past". That question, at the heart of this powerful and moving relationship, comes down to the protagonist's shared concern with how we use disguises to mask our erasures and to keep at bay the sense that something is missing, excised, disappeared from the narratives we tell ourselves. In those disappearances, Dabydeen masterfully charts not only the integrity of land and memory but also the state of the nation as a whole. --David Marriott

Product Description

Dunsmere Cliff, on the Kent coast, is in a state of impending collapse. A young West Indian engineer is appointed to help save the village that sits on its edge. He soon discovers the history of Dunsmere and its desire, deceit and sexual cruelty.

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Format:Paperback|Amazon Verified Purchase
A civil engineer, a Guyanese of Asian descent, boards with an older English widow (perhaps) in an English seaside town or perhaps village while employed as a consultant in the construction of a sea-wall. He remembers his past; she remembers her many years in Africa with her husband; and there's a narration of some of her earlier life in the town/village. Most things in life have disappeared - earlier sea-defences in Guyana and Mrs Rutherford's husband among them - and it's not clear how best to live life or just how rapacious the English have been as a nation.

In the back pages of the book are advertisements for the author's other novels and books of poetry; and for two anthologies of criticism of his work. This may give the best clue what to expect in the novel: memorable passages and images and quite possibly much significant symbolism in the narrative. The narrative itself is not that convincing - certainly not in its description of the local politics surrounding the construction of a sea-wall, and not in the description or absence of description of the life of the civil engineer - so I suppose not in the other parts. And though I read through to the end of the 160 pages, I was not gripped.

So, overall, not recommended for the general reader.
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Format:Paperback
This was a novel which made me turn from one page to the next. It was a good novel. It was a slight story, subtly told, and poetically written. There were some intricate and beautiful images as well as some moving and also funny scenes. The past is explored, memory is explored, and we see how the mind's landscape is sedimentary, layer upon layer. Some of the metaphors were a little forced, and sometimes the structure of the novel appeared through the narrative, but these were little faults in a novel which was entertaining and thought-provoking, poetic and sharp.
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