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Kelman uses familiar surroundings and dialect to create something entirely original. Like A Chancer, there's a sense of frustration when the main character seems so trapped - usually due to a lack of money and motivation. This could be said to mirror Kelman's own life; in an interview he's mentioned that his wife still has to work at the Social Security, despite him winning the Booker Prize for his novel How Late it was, How Late.
The key to the success of this book - aside from the deep sense of character so common in Kelman's work - is in the experimental language. There are traces of Joycean stream-of-consciousness, but with none of the pretension attributed to copyists, and, most importantly, no sense of the confusion common in Ulysses or Finnegans Wake. We may not know all of the literary references, but we definitely understand.
This is one of the most important novels of the 80s - if not ever. It's certainly one of Kelman's best.
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