When you see the name Stoppard, you expect supremely intelligent, scalpel-sharp drama and comedy. In the case of these twin one-act plays, written for and on behalf of Ed Berman, we see the great man twinning Whitehall farce with historical absurdity and a flight of fancy about the USA.
Dirty Linen may date back to 1976 but in terms of its analysis of political sleaze it is bang up to the minute. Our latest parliamentary scandal might have related to expenses, but it could so easily have been the sexual mores, peccadillos and hypocrisies of MPs, to wit members of a committee established to investigate the moral propriety of Parliament in the light of allegedly scurrilous press rumours and the grave risk to the reputation of our democratic institutions.
The comedy within DL is extracted at will from Stoppard's dazzling verbal wit and dexterity, notably double-entendres and tongue-twisters by the score, but especially the progressively desperate attempts of all committee members to cover up the fact that they have been dating the same woman - the temporary secretary of their committee, who for farcical purposes is gradually reduced down to her underwear - at various restaurants around London. And being MPs, they materially fail to spot their own culpability, the capacity for self-deception being the rapier with which Stoppard skewers his victims.
By contrast, New Found Land pairs a senior civil servant with a hoary tale about Lloyd George knowing his father, with a young bureaucrat whose poetic passion for all things American surfaces only when he launches into a 5-page monologue about a journey by train across the USA. As an amateur actor, performing this speech in public would complete my career and leave me happy to retire!