- Paperback: 224 pages
- Publisher: Lark; 1 Original edition (7 Mar 2010)
- Language English
- ISBN-10: 1600595197
- ISBN-13: 978-1600595196
- Product Dimensions: 28.1 x 22 x 1.5 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: 629,376 in Books (See Top 100 in Books)
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More About the Author
Product Description
Product Description
Digital Masters goes extreme! This beautifully produced guide by Michael Clark is the newest entry in the series, as well as the first book on a fast-growing photographic genre: shooting todays popular extreme outdoor sports, from mountain biking and ice climbing to surfing, BASE jumping, and more. Clark is one of the worlds most respected adventure photographers, and he offers sage advice on equipment, techniques and the specific skills required to get in on the action. Learn to capture fast-moving subjects and deal with harsh conditions and horrible weather - even when youre hanging from ropes and riggings in a squall. Of special interest is the Portraiture and Lifestyle chapter, which covers increasingly in-demand techniques.
About the Author
Michael Clark is an internationally famous photographer whose work has appeared in National Geographic, National Geographic Adventure, Backpacker, Rock and Ice, Bike Magazine and The New York Times. He has also authored books and eBooks on digital photography. His client list includes Nike, Nikon, Adobe, 20th Century Fox, Black Diamond, La Sportiva and many more.
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Customer Reviews
Most Helpful Customer Reviews
1 of 1 people found the following review helpful
Format:Paperback
In this book Michael Clark has continued the tradition of photographers `passing it forward', giving others the benefit of their own experience by the bucket load. I am fairly sure that the value in this book is worth more than the price paid.
The opening photographs sum up what being an adventure photographer is and show why Michael Clark has the right to write such a book. The first photograph of the photographers sitting on the bus...you can almost smell the sharp clean air and hear the shutters firing.
The book is well laid out, covering general photographic equipment and then in each chapter about the different sports there is a summary of the `essentials' for each type of photography. The contents page is also well thought out and shows the book is very much a `how to' kind of guide without reverting to the blindingly obvious. There is no `why you ought to shoot raw' here - it is taken for granted that if you're reading this book there are some things you know already or are capable of finding out yourself.
The opening chapters set up the camera side, but also clothing, other equipment and lighting (in a good concise summary). He is honest about the fact that you're not going to get above average results without spending the money. Frames per second, fast reliable auto-focus and well built kit will cost but will also deliver the results to get ahead.
Not only is the book offering the methods and ideas behind shooting different techniques but the author also takes time to look at the business side with an overview of negotiation, a US-centric look at pricing (but easily convertible to the UK market), marketing - including blogs and email-shots, licensing, safety fro the photographer and his/her subjects and the honest admission that you might not be rich from doing this, but you will have a varied job.
Finally, the book is well written. Like Joe McNally's two books, the style of delivery is the `we are sitting in a field, you've asked and I am answering'. This makes the book an interesting read - so much so that I received it yesterday, opened it on the train and put it aside, `finished' last night. This is not to say that the book's interest is short-lived. Like his guide to Lightroom, the first reading will produce lots of thoughts and provide plenty of information, but afterwards the book will be a resource to be returned to when you think: how do I do? / could I do? / if I do this? / I need ideas...and the photographs are always worth a look.
The opening photographs sum up what being an adventure photographer is and show why Michael Clark has the right to write such a book. The first photograph of the photographers sitting on the bus...you can almost smell the sharp clean air and hear the shutters firing.
The book is well laid out, covering general photographic equipment and then in each chapter about the different sports there is a summary of the `essentials' for each type of photography. The contents page is also well thought out and shows the book is very much a `how to' kind of guide without reverting to the blindingly obvious. There is no `why you ought to shoot raw' here - it is taken for granted that if you're reading this book there are some things you know already or are capable of finding out yourself.
The opening chapters set up the camera side, but also clothing, other equipment and lighting (in a good concise summary). He is honest about the fact that you're not going to get above average results without spending the money. Frames per second, fast reliable auto-focus and well built kit will cost but will also deliver the results to get ahead.
Not only is the book offering the methods and ideas behind shooting different techniques but the author also takes time to look at the business side with an overview of negotiation, a US-centric look at pricing (but easily convertible to the UK market), marketing - including blogs and email-shots, licensing, safety fro the photographer and his/her subjects and the honest admission that you might not be rich from doing this, but you will have a varied job.
Finally, the book is well written. Like Joe McNally's two books, the style of delivery is the `we are sitting in a field, you've asked and I am answering'. This makes the book an interesting read - so much so that I received it yesterday, opened it on the train and put it aside, `finished' last night. This is not to say that the book's interest is short-lived. Like his guide to Lightroom, the first reading will produce lots of thoughts and provide plenty of information, but afterwards the book will be a resource to be returned to when you think: how do I do? / could I do? / if I do this? / I need ideas...and the photographs are always worth a look.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
5 reviews
6 of 6 people found the following review helpful
The real deal
14 Jan 2010
Format:Paperback
As a younger outdoor shooter this book is a great resource for me. It's really awesome to have all the info in a single place. After reading the book and getting some time in, I think the information here is enough to get any hard-working and creative photographer up to speed with any of the professional shooters out there. Ultimately, buying this book doesn't make bad light good, but it gives you the information to go ahead and put in the work, knowing that if you follow the methods Michael describes you'll come away with a end product you - and hopefully your clients - can be proud of.
I'm a cinematographer by trade and even though this book is geared more towards the stills set, I still find it 90% applicable to what I'm doing in the outdoors.
I'm a cinematographer by trade and even though this book is geared more towards the stills set, I still find it 90% applicable to what I'm doing in the outdoors.
5 of 5 people found the following review helpful
More Than Just Taking Photos
5 Jan 2010
Format:Paperback|Amazon Verified Purchase
I just got done reading Michael's excellent new book, and he has done a fantastic job. Not only does he talk about the tools and techniques for getting great shots in various adventure sports (climbing, kayaking, etc), but he details out his approach, how he plans to get the shots he needs, and how he reacts when things change - and they change a lot in the activities Michael shoots.
However, the best he saves for last in the final 3 chapters - all very unique and incredibly valuable. The first section is all about 'adventure portraiture', something I have not seen before and he talks about how to take a great portrait in less than ideal circumstances :-). The last 2 sections Michael shares his tips, knowledge and recommendations for aspiring photographers who want to turn pro. He has some fantastic information, and great references, and the final 2 interviews (with Corey Rich and Sabine Meyer) should help any person who wants to turn pro. Michael shares all of his knowledge, tips, tricks to help and inspire folks who may want to pursue their dreams, and he lets them know not only can it be done (with a TON of hard work), but shows how it might be done.
All in all, highly recommended.
However, the best he saves for last in the final 3 chapters - all very unique and incredibly valuable. The first section is all about 'adventure portraiture', something I have not seen before and he talks about how to take a great portrait in less than ideal circumstances :-). The last 2 sections Michael shares his tips, knowledge and recommendations for aspiring photographers who want to turn pro. He has some fantastic information, and great references, and the final 2 interviews (with Corey Rich and Sabine Meyer) should help any person who wants to turn pro. Michael shares all of his knowledge, tips, tricks to help and inspire folks who may want to pursue their dreams, and he lets them know not only can it be done (with a TON of hard work), but shows how it might be done.
All in all, highly recommended.
2 of 2 people found the following review helpful
Get this book - QUICK - before Michael realizes he's giving all his secrets away!
24 Nov 2010
Format:Paperback|Amazon Verified Purchase
Just finished this adventure photography book by Michael Clark. He's a great photographer and also a very pragmatic writer and teacher. The book is well-written, well-illustrated, and contains a TON of information. This is a great publication for the money. Can't wait to put some of his ideas to use. If you're serious about outdoor photographer, whether or not you want to make a dime at it, this book is a must.
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