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Book Description
This introduction to contemporary digital cinema tracks its intersection with video art, music video, animation, print design and live club events to create an avant-garde for the new millennium. It begins by investigating digital cinema and its contribution to innovations in the feature-film format, examining animation and live-action hybrids, the gritty aesthetic of the Dogme 95 filmmakers, the explosions of frames within frames and the evolution of the ‘ambient narrative’ film. This study then looks at the creation of new genres and moving-image experiences as what we know as ‘cinema’ enters new venues and formats.
About the Author
Holly Willis is the editor of RES Magazine and co-curator of RESFEST. She has written extensively on independent and experimental media.
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New Digital Cinema
28 Jun 2011
This book (part of the "Short Cuts" series) offers a welcome introduction (or overview) to more recent developments in expanded cinema, video projection art, video art and installations, and therefore seems to be more of a primer introducing contemporary video art/installations (which of course use moving images) rather than a book on film and film theory. Slender and well produced, the book is helpful and inspiring, and its shortness gives it a certain edge, tantalizing the reader, while at the same time covering many recent trend in western digital video and expanded cinema practices, and placing them onto a context of evolving late 20th century and 21st century new media arts.
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