One of the things which characterizes Hammer's non-supernatural output of the sixties is its array of strong parts for women. Sure, they often find themselves in the position of captive victims, but they're also smart, resourceful and very 'modern', almost always outwitting the psycho/fanatic/maniac/conspirator plotting against them. Another feature is the localized setting, which can be the twee English country village or a secluded Meditteranean resort (with the former sometimes doubling as the latter)Scream of Fear, The Witches and Fear in the Night spring to mind. This is obviously a requirement of the budget, but it serves to create a nostalgia-suffused familiarity that lends credibility to the stories and was a feature of 60s/70s British TV from Doctor Who to Brian Clemens' Thriller. Die (also known as Fanatic)is a decent example of the genre which benefits from fine performances from Talulah Bankhead (her last) as the almost-mother-in-law-from- Hell determined to keep her dead son's former fiancee pure and untouched in the attic of her rambling house. Peter Grant and Yootha Joyce are appropriately sinister as her accomplices and there's even a bit part for Donald Sutherland as special needs gardener. Scripted by Richard Matheson, there are enough plot twists to stop you from thinking too much and one or two examples of directorial flair, in particular the tracking shot which follows Powers' car when she first arrives at the house and closes on Grant's creepy leer. Hopefully Powers' other Hammer thriller Crescendo will be re-released on DVD at an affordable price.