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Praise for I Didn’t Do It For You:
‘Contemporary history on the grand scale. I was entertained, informed and angered. Wrong has given us another essential contribution to the post-colonial scramble for Africa.’ John le Carre
‘Vivid, penetrating, wonderfully detailed. Michela Wrong has written the biography of a nation and more – she has excavated the very heart and soul of the Eritrean people and their country.' Aminatta Forna
‘If you thought Eritrea was some exotic flower you heard mentioned on a gardening programme this book will tell you something different. It tells the tale of a small group of Africans so despised and trampled by successive foreign occupations that they fought back and after 30 years of war, they became a nation. It is an astounding story packed with tales of the worst – and the best – of human behaviour.’ Richard Dowden, President of the Royal African Society
'This is a wonderful, readable and illuminating book. Michela Wrong is an enormously talented writer…thoroughly researched and deeply engaging and honest.' Clare Short – New Statesman
'Impressive … Wrong offers an uplifting testament to the resilience of the human spirit. Eminently readable and full of fascinating detail, this is a book that deserves and needs to be read' Guardian
'[A] corker … fascinating and tragic. Wrong's writing flows so smoothly that it is only after 100 pages or so that you notice how much legwork she has put in [and] she tracks down a startling array of characters' Daily Telegraph
'A lyrical, intensely intelligent and wonderfully readable history of Eritrea … beautifully written' Independent
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But when it comes to present day Eritrea, the book's most fatal shortcoming comes to the fore. The discussion of the current Eritrean state of affairs, for the most part, is entirely based on anecdotes and lacks in in-depth analysis. Had Wrong applied the same level of commitment in constructing a well-rounded picture of the struggles of a young nation as that of the colonial period, we would have been talking about a brilliant work. On the contrary however, Wrong seems to have glossed over the most important period of Eritrean history and thereby constructed a very sketchy picture of present day Eritrea.
The book is an impassioned travelogue through landscape, history and politics, with an author at once caustically funny, thoughtful and wry. If you like intelligent travel writing, you will love ms wrong's work, with its vivid landscapes and incisive human portraits. A cast of characters at times Pythonesque move against a back-cloth of tragedy - like the Italian Victor Meldrew, who sits, cursing in his rusting Eritrean scrapyard, or the bored GIs who hold farting competitions and smear their pants with peanut butter to horrify fastidious locals.
Underlying it all is the author's meticulous research, but it is a tribute to her writing that the reader never notices that they are being educated as well as entertained. I finished the book with that feeling of regret that only exceptional works give you.
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