Amazon.co.uk Review
Much of the thrill of soul balladry is hearing a singer, especially a male singer, overcome the cultural emphasis on toughness and self-sufficiency and confess the most vulnerable of desires. In this hip-hop era of exaggerated toughness, there are greater obstacles to overcome and thus the potential for even more thrilling revelations. DeVante Swing, the mastermind behind the male vocal quartet Jodeci, seizes that potential more than once on the group's new album,
Diary of a Mad Band. The group shares the vocal responsibilities but the credits on nine of the album's 13 tracks read, "Music and Lyrics by DeVante Swing; Vocal arrangement: DeVante Swing; DeVante Swing: All Instruments". Thus the challenge of juggling romantic vulnerability with street credibility comes down on DeVante's 23-year-old shoulders. He fumbles the ball on a few occasions--the dumb, juvenile demands for sex on "You Got It" and "Sweaty"--but more often than not he comes through with soul ballads in the classic mode, revealing the tender heart beneath the thickened skin. The first single, "Cry for You", hearkens back to the slow hymns of Jodeci's church backgrounds; the singers promise, "I would get on my knees for you" and the dizzying free fall of the melody underscores the total surrender of the lyrics. The next single, "Feenin'", is a similar confession but it's juiced up with tape-reverse percussion sounds, a Zapp-like vocorder riff and a gruff lead set against angelic harmonies. Even "Ride & Slide" and "Alone", rather frank sexual propositions, have the good grace to plead rather than demand; they even promise detailed attention to female erogenous zones. At its best, Jodeci is the most promising soul harmony group of the hip-hop generation.
--Geoffrey Himes
Review
While they never hit the same commercial heights in the UK as achieved in the US, Jodeci were a blink-of-an-eye ensemble whose longer-term significance far outlasted their mid-90s prime.
Comprised of two sets of brothers – Donald ‘DeVante Swing’ and ‘Mr’ Dalvin DeGrate alongside Cedric ‘K-Ci’ and Joel ‘Jo-Jo’ Hailey – they set something of a template for the boybands that followed. Signed to Andre Harrell's Uptown Records after being heard by rapper Heavy D, Sean 'Puffy' Combs masterminded their early career, while future stars Missy Elliott, Timbaland and Ginuwine cut their teeth on Jodeci albums.
Their debut, 1991’s Forever My Love, was a runaway success, but it was nearly three years before the follow up, Diary of a Mad Band, was released in December of 1993. The band’s second, most-celebrated album stands as a snapshot of the R&B/hip hop interface in the mid 90s: slick, soulful, and assured.
It furthered the achievements of Forever My Love with its blend of sugar-sweet love songs (the stunning Cry for You and My Heart Belongs to U) and bad boy joints (Ride and Slide, the atonal grind of Sweaty). Feenin' steals the show, demonstrating their way with the rarely heard romantic side of hip hop – delivered in street language though it is, credible rhymes are married with a well-written soul pastiche: “All the chronic in the world couldn't even mess with you / You are the ultimate high / You know what I’m saying, baby?”
There was one further album – 1995’s The Show, The After Party, The Hotel – but that was it for Jodeci, and the four remain on hiatus after a failed attempt at a comeback. After their 90s successes, K-Ci and Jo-Jo went on to have a string of hits as a duo, while Dalvin and Devante moved into production. But nothing achieved by individual members has yet outshone their 1993 classic.
Diary of a Mad Band is their definitive album. It captures a moment in time perfectly and, unlike a lot of US R&B from the era, still sounds surprisingly fresh today. --Daryl Easlea
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