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Product Description
From Jan Nemec, the acclaimed director of THE PARTY & THE GUESTS. A tense and brutal story of two Jewish boys who escape from a train transporting them from one concentration camp to another. Ultimately, they are hunted down by a group of old, armed home-guardists. The film goes beyond the themes of war and anti-Nazism and concerns itself with man's struggle to preserve human dignity.
Product Description
United Kingdom released, PAL/Region 2 DVD: LANGUAGES: Czech ( Mono ), English ( Subtitles ), SPECIAL FEATURES: Black & White, Booklet, Interactive Menu, Photo Gallery, Remastered, Scene Access, SYNOPSIS: DIAMONDS OF THE NIGHT is set in Czechoslovakia during World War II. Ladislav Jansky and Antonin Kumbera play two Jewish youths who escape from a concentration camp-bound train. Captured by local peasants on a charge of stealing bread, the boys are sentenced to a firing squad. It turns out that the villagers have no real stomach for killing, and the boys merely go through the motions of a mock execution. They are let go, and continue their journey to freedom. ...Diamonds of the Night ( Démanty noci )
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Most Helpful Customer Reviews
29 of 29 people found the following review helpful
Format:DVD
The Amazon Description / Synopsis of this film is so prosaically literal that it gives no hint to the extraordinary experience of actually watching this powerful film.
This is another great package from Second Run. While the inconsistency of exposure is clearly inherent in the original, the print itself shows signs of damage throughout. Also, there seems to be some overly video enhanced quality to a couple of shots in the first ten minutes, where the film image hasn't transferred too well, but these small things don't impair the overall experience.
This film simply doesn't offer the narrative or historical certainties suggested by the description, and it's so much more powerful for that. The film is greater than the matter of fact description would imply. This is because the narrative is pared down to the absolute minimum, like a diamond which must be cut down so as to reveal and optimise its quality.
Having read that Nemec greatly admired Bresson it's easy to make sense of the minimal, crystalline sound track [there's none of your non-diegetic mood enhancing music here] but the powerful restless, technically loose B & W cinematography clearly takes inspiration from elsewhere.
There's no concrete reason to suppose that the two boys are Jewish or that the old men are part of a pro-Nazis home guard, but there's every reason to fear them, whoever they are. In fact there's only two shots in the whole film that might place the action in any specific historical context. It's only knowledge of the source material [which is discussed in the excellent booklet] that furnishes us with these precise particulars and which Nemec seems to deliberately avoid, thus transcending the specific, he creates an ageless vision of the inhumanity of man.
The opening shock of the relentless, breathless escape from the train, up through the woods, gives way to the first truly astonishing sequence. At a farm the wife gives the boys some bread, but as so often in this film, can we be sure of what we see? Are we presented with alternative outcomes or psychotic occurrences? The potency of these images affect our response to the rest of the film.
As with the group of men who descend upon and surround the picnickers in Nemec's The Party & The Guests, it's the appearance of the group of armed old men that brings a chill of disquiet, increased menace and final horror to the action.
The final sequence of the film parallels that of the farmer's wife sequence, in as much as it presents shots that appear to contradict one another. As the exhausted boys disappear, back into the woods, it's not at all clear what this apparent freedom means.
If you haven't already guessed I recommend this film.
This is another great package from Second Run. While the inconsistency of exposure is clearly inherent in the original, the print itself shows signs of damage throughout. Also, there seems to be some overly video enhanced quality to a couple of shots in the first ten minutes, where the film image hasn't transferred too well, but these small things don't impair the overall experience.
This film simply doesn't offer the narrative or historical certainties suggested by the description, and it's so much more powerful for that. The film is greater than the matter of fact description would imply. This is because the narrative is pared down to the absolute minimum, like a diamond which must be cut down so as to reveal and optimise its quality.
Having read that Nemec greatly admired Bresson it's easy to make sense of the minimal, crystalline sound track [there's none of your non-diegetic mood enhancing music here] but the powerful restless, technically loose B & W cinematography clearly takes inspiration from elsewhere.
There's no concrete reason to suppose that the two boys are Jewish or that the old men are part of a pro-Nazis home guard, but there's every reason to fear them, whoever they are. In fact there's only two shots in the whole film that might place the action in any specific historical context. It's only knowledge of the source material [which is discussed in the excellent booklet] that furnishes us with these precise particulars and which Nemec seems to deliberately avoid, thus transcending the specific, he creates an ageless vision of the inhumanity of man.
The opening shock of the relentless, breathless escape from the train, up through the woods, gives way to the first truly astonishing sequence. At a farm the wife gives the boys some bread, but as so often in this film, can we be sure of what we see? Are we presented with alternative outcomes or psychotic occurrences? The potency of these images affect our response to the rest of the film.
As with the group of men who descend upon and surround the picnickers in Nemec's The Party & The Guests, it's the appearance of the group of armed old men that brings a chill of disquiet, increased menace and final horror to the action.
The final sequence of the film parallels that of the farmer's wife sequence, in as much as it presents shots that appear to contradict one another. As the exhausted boys disappear, back into the woods, it's not at all clear what this apparent freedom means.
If you haven't already guessed I recommend this film.
4 of 4 people found the following review helpful
Format:DVD|Amazon Verified Purchase
Two tortured young souls try to escape after leaving a train bound for a death camp in WW2 Czechoslovakia. The pain of their journey is evident in their faces and their feet as they run until they drop, get up and run again.
A waking nightmare bred of desperation, fear and persecution plagues an encounter with a farmer's wife. Just as shocking is the scene where the boys await execution, while their captors eat, drink and sing.
All the more terrifying for being based on the direct experiences of the filmmaker himself. This film will grip you and leave you shaken.
The well-presented booklet is very informative.
A waking nightmare bred of desperation, fear and persecution plagues an encounter with a farmer's wife. Just as shocking is the scene where the boys await execution, while their captors eat, drink and sing.
All the more terrifying for being based on the direct experiences of the filmmaker himself. This film will grip you and leave you shaken.
The well-presented booklet is very informative.
0 of 15 people found the following review helpful
Format:DVD
With a German Jewish grandmother, this genre of film has always been of interest to me. The Jewish side of my family almost all perished during the Holocaust! However, this film was mainly about 2 lads doing heavy breathing in some woods. The historical wardrobe - their coats - was also hardly correct.
The director of this film did not do a very professional job. I actually believe it is a fine example of where a director is given too much license. It is the product of a very spoilt man who listens to all his previous positive criticism & as such believes that he is infalliable.
Do not waste your money as I did on this utter rubbush.
The director of this film did not do a very professional job. I actually believe it is a fine example of where a director is given too much license. It is the product of a very spoilt man who listens to all his previous positive criticism & as such believes that he is infalliable.
Do not waste your money as I did on this utter rubbush.
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