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While Adu and her band have done many memorable recordings since they debuted, DIAMOND LIFE remains their single finest recording: it is pure liquid elegance every step of the way. Opening with "Smooth Operator," which makes particularly good use of Stuart Matthewman on sax, the entire collection flows effortlessly from cut to cut--some dark, some slightly dissonate, some slightly upbeat, and every one of them memorable in the most haunting way imaginable.
Like "Smooth Operator," both "Your Love Is King" and "Hang on to Your Love" actually broke into the charts as singles--a truly amazing feat for a jazz-oriented club band in the ultra-synthetic 1980s. But in truth, be it "Cherry Pie," "When Am I Gonna Make A Living," or "Sally," there isn't a bad cut on the entire CD. Everything shimmers with a sultry yet subtle beauty, pulling you into an atmosphere in which you seem to feel the pulse of a midnight lounge, the atmosphere of the club scene fromw which Sade emerged.
As a band, Sade is sexy, cool, smart, delicately shaded, and brilliantly shaped, and the aptly titled DIAMOND LIFE is perhaps one of the best debut recordings made over the past fifty years. Mix yourself a drink, turn the lights down low, drop this on the stereo--and dream of smoke, the clink of cocktail glasses, and the murmur of voices gone suddenly silent when the band begins to play. Strongly recommended.
GFT, Amazon Reviewer
Playing this remastered CD just over 20 years on from the album's first release, the quality of the band's playing and the soul in the vocals comes as quite a surprise. None of these tracks are bad. Some are exceptional. "Hang on to your love" ploughs a muscular groove that is marvellously tight. "Smooth Operator" either celebrates or lampoons the yuppie male of the eighties, concluding ultimately ambiguously. "Your love is King" is allegedly about something very intimate, but I couldn't possibly comment... judge for yourself! The other tracks never really let up in terms of sheer class.
The remaster is good in terms of quality, although the original CD certainly wasn't awful. The only minor complaint - and true of so many remastered CDs - why no extra B-side-type tracks, such as the excellent "Spirit" that I remember from the "Smooth Operator" single?
Sade's next album ("Promise") was resolutely uncommercial, and pushed the soulful vibe even further. Meanwhile, however, forget the smoothie dinner-party jibes, this has got more soul than a coachload of today's chart hopefuls.
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