After the success of The Wages of Fear (Le salaire de la peur) Henri-Georges Clouzot cemented his reputation with his masterpiece, Les diaboliques.
Based on a novel by Pierre Boileau and Thomas Narcejac (who also wrote the novel on which Hitchcock s Vertigo is based), Les diaboliques tells the story of a sadistic headmaster (Paul Meurisse) who brutalises his wife and mistress (Véra Clouzot and Simone Signoret) and their plot to murder him. Superbly edited with nail-biting suspense, the two women murder the headmaster and dump the body in the swimming pool, but when the pool is drained no corpse is found. An unsettling and beautifully-paced study of betrayal, mistrust and guilt, Les diaboliques is atmospherically shot in black and white, its murky tones hauntingly echo the moral ambiguity of its principals.
An acknowledged influence on Alfred Hitchcock and Stanley Kubrick among others, Les diaboliques is presented on Blu-ray for the first time in the UK.
- Brand new High Definition transfer of the film from a new restoration of the original negative
- Audio commentary by Susan Hayward, author of Les diaboliques (Cine-file French Film Guides)
- Original Trailer
- Filmed interview with Ginette Vincendeau, French cinema scholar, critic and author
- Original Trailer
- Brand new writing on the film by author and critic Brad Stevens and a re-printed interview with Clouzot by Paul Schrader illustrated with stills and rare original set drawings by Léon Barsacq.
- Artwork presentation packaging including original posters and a newly commissioned artwork cover
Legend has it that Henri-Georges Clouzot beat out Alfred Hitchcock to secure the rights to this novel, which proved to be a veritable blueprint for an icy masterpiece of murder, mystery and suspense. Véra Clouzot plays the sickly wife of a callous headmaster of a provincial boarding school going to seed, and the commanding Simone Signoret is the headmaster's mistreated mistress. Together they plot and carry out his murder, a brutal drowning that director Clouzot documents in chilly detail, but the corpse disappears and a nosy detective starts sniffing around the grounds as threatening notes taunt the women. Clouzot's thriller is as precise and accomplished a work as anything in Hitchcock's canon, a film of gruelling suspense and startling shocks in an overcast, grey world of decay, but his icy manipulations lack the human dimension and emotional resonance of the master of suspense. Many critics have accused the film of being misanthropic, and Clouzot's attitude toward his characters is bitter at best, contemptuous at worst. The viewer is left on the outside looking in, but the razor precision and terrifying twists deliver a sleek, bleak spectacle worthy of attention. --Sean Axmaker, Amazon.com
--This text refers to an out of print or unavailable edition of this title.