Well, watching this film even if you aren't 100% enjoying the experience you are never in doubt one man certainly did - Dominic Cooper. He goes to town with his performance of Uday, the campest most over the top villain to be found outside of panto - a hyperactive megalomaniac, buck of tooth and gelled forward of hair (...Dwayne Dibbley?!), a mamma's boy prone to sadism and perversion who disturbingly giggles like a schoolgirl (though most schoolgirls soon stop giggling in the presence of Uday).
This performance makes the movie and highlights the obvious problem, when Uday is off screen things get a little pedestrian by comparison. The love story between Latif (the double) and one of Uday's mistresses never ignites and their bolt for freedom, which should have been the most tense and exhilarating section of the film, is actually rather dull and even the attempted hit at the very end of the movie doesn't quite carry the required gravitas. These scenes struggle to compete with the hedonistic parties, beatings, disembowelments and psychological warfare that make up the bread and butter of Uday's insane existence.
Worth a watch thanks to Cooper's stellar efforts playing the two lead characters but take `The Devil's Double' with a huge pinch of salt, a lot of artistic license has been applied here, and thanks to the less than ideal pacing be prepared for your interest to go off radar like a rogue Scud from time to time.