"The Devils Brigade", seems to have tried to cash in on the success of films like "The Great Escape" and "The Dirty Dozen", but unfortunately falls short of the flair and originality brought to those films. The director Andrew V McLaglen is the reliable sort who consistently churned out decent actioneers, mostly westerns it should be said, but was not one of the more imaginative film makers in the business. And this does show at times. The film uses the tired old routine formula of bringing together a disparate band of soldiers and training them into an elite fighting unit.
This version is based on the exploits of the 1st Special Service Force, which was a joint unit of Canadian and American troops organised in 1942. William Holden is the officer charged with whipping the men into shape. The Americans are portrayed as a bunch of misfits, mostly with long disciplinary records, although this did not seem to be true of the real unit, whose veterans may have been put out by their portrayal on screen. The unit is predictably knocked into shape, and sent into action on the Italian front where they distinguish themselves.
The film is one where the expression `curate's egg' comes to mind, in that not all the parts are bad. The film has a very strong cast. Bill Holden and Cliff Robertson are very capable lead actors, and they are supported by the likes of Harry Carey jnr, Claude Akins, Andrew Prine and Richard Jaeckel. Luminaries Dana Andrews and Michael Rennie also make brief appearances, with the very British Rennie appearing interestingly as Lt Gen Mark Clark. Cinematographer William Clothier, who worked on many fine westerns, was able to use the type of landscape familiar to him in Utah for the training sequences. He was also able to film on location in Italy which gave the film an authentic look. The films recreation of the battle to take "Monte La Defensa", a German held mountain stronghold is very well staged, although the real battle took place over five days. All this is not enough to lift the film out of mediocrity, and the big budget is wasted. Everything is so tired and predictable that it must have seemed dated even when it was released back in 1968. This old fashioned and relatively bloodless film has nothing to say about the state of war, and peters out aimlessly. One for the ardent war film completist only