- Paperback: 416 pages
- Publisher: Getty Research Institute,U.S. (1 Feb 2002)
- Language English
- ISBN-10: 0892365900
- ISBN-13: 978-0892365906
- Product Dimensions: 25.2 x 17.8 x 2.6 cm
- Amazon Bestsellers Rank: 206,464 in Books (See Top 100 in Books)
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More About the Author
Product Description
Product Description
An inquiry into emergent media's rich lineage, Devices of Wonder explores the artful machines humans have used to augment visual perception.
The encyclopedic cabinet of curiosities serves as a model for this study of the archaic instruments lurking in state-of-the art technology. Featured in Devices of Wonder are android automata, lunar landscapes, perspective theaters, vues d'optique, microscopes, magnetic games, magic lanterns, camera obscuras, boxes by Joseph Cornell, Lucas Samaras's Mirrored Room, Suzanne Anker's Zoosemiotics, Mark Tilden's UniBug 3.1, panoramic works by Jeff Wall and Giovanni Lusieri, paintings by Jean-Baptiste Chardin and Joseph Wright of Derby, projections by Diana Thater and James Turrell, and a pop-up book by Kara Walker.
Barbara Stafford's introduction weaves these fascinating artifacts into a provocative narrative analyzing the complex links between old and new media. Her wide-ranging investigation is complemented by thirty-one short essays in which Frances Terpak tracks the often surprising connections among individual items. Like the cabinet of curiosities, Devices of Wonder functions as an analogical instrument, reframing the beautiful "eye machines" that continue to mediate our encounters with the world.
This book is published in conjunction with an exhibition at the Getty Museum from November 13, 2001, through February 6, 2002.
The encyclopedic cabinet of curiosities serves as a model for this study of the archaic instruments lurking in state-of-the art technology. Featured in Devices of Wonder are android automata, lunar landscapes, perspective theaters, vues d'optique, microscopes, magnetic games, magic lanterns, camera obscuras, boxes by Joseph Cornell, Lucas Samaras's Mirrored Room, Suzanne Anker's Zoosemiotics, Mark Tilden's UniBug 3.1, panoramic works by Jeff Wall and Giovanni Lusieri, paintings by Jean-Baptiste Chardin and Joseph Wright of Derby, projections by Diana Thater and James Turrell, and a pop-up book by Kara Walker.
Barbara Stafford's introduction weaves these fascinating artifacts into a provocative narrative analyzing the complex links between old and new media. Her wide-ranging investigation is complemented by thirty-one short essays in which Frances Terpak tracks the often surprising connections among individual items. Like the cabinet of curiosities, Devices of Wonder functions as an analogical instrument, reframing the beautiful "eye machines" that continue to mediate our encounters with the world.
This book is published in conjunction with an exhibition at the Getty Museum from November 13, 2001, through February 6, 2002.
About the Author
Barbara Stafford is William B. Ogden Distinguished Service Professor at the University of Chicago. Her most recent publications are Visual Analogy, paperback, MIT Press, 1999; and Good Looking, paperback, MIT Press, 1998. Frances Terpak is curator of photographs at the Getty Research Institute.
Inside This Book
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
5.0 out of 5 stars (2 customer reviews)
5 of 10 people found the following review helpful:
5.0 out of 5 stars
Devices of Wonder: playful, engaging, instructive., 21 Nov 2001
By A Customer - Published on Amazon.com
This review is from: Devices of Wonder: From the World in a Box to Images on a Screen (Paperback)
The book, "Devices of Wonder: From the World in a Box to Images on a Screen", is the catalog for an exhibition that has just opened. The first two reviews provide perspectives and understanding that are quite different from those offered in the preceding review from Publishers Weekly. Leah Ollman (LA Times, 11/18/01) comments that, "We want to know the world and have experiences beyond the ordinary. We want to extend our vision beyond its familiar capacity. These are timeless desires, born with the species. They thrive on wonder, ... 'Devices of Wonder' traces those impulses and the technologies designed to act on them during the past 400 years. Full of serious toys, marvelous instruments and art resonant with the theme of discovery, the show [and catalog] track a history of visual thinking, 'from the world in a box to images on a screen,'..."
Speaking of both the exhibition and the catalog, the hard-nosed and insightful reviewer, Christopher Knight (Los Angeles Times, November 19, 2001) remarks that, "The Wunderkabinett is back, their show asserts--bigger, now nearly ubiquitous and considerably more far-reaching than any Baroque prince could ever have dreamed. Today's Wunderkabinett is sitting on your desk at home or in the office, or perhaps it's resting in your briefcase or on your lap." "Looking at wondrous things in a Wunderkabinett becomes the launch pad for the wonders of looking. Sight connects with insight. Mirrors facilitate reflection. Images are themselves ideas. ... Playful and unexpected connections get drawn. ... The show [and the catalog] is filled with these sorts of surprising delights, which can send your mind off in unexpected directions."
...
6 of 17 people found the following review helpful:
5.0 out of 5 stars
Devices of Wonder: playful, engaging, instructive., 21 Nov 2001
By A Customer - Published on Amazon.com
This review is from: Devices of Wonder: From the World in a Box to Images on a Screen (Paperback)
The book, "Devices of Wonder: From the World in a Box to Images on a Screen", is the catalog for an exhibition that has just opened. The first two reviews provide perspectives and understanding that are quite different from those offered in the preceding review from Publishers Weekly. Leah Ollman (LA Times, 11/18/01) comments that, "We want to know the world and have experiences beyond the ordinary. We want to extend our vision beyond its familiar capacity. These are timeless desires, born with the species. They thrive on wonder, ... 'Devices of Wonder' traces those impulses and the technologies designed to act on them during the past 400 years. Full of serious toys, marvelous instruments and art resonant with the theme of discovery, the show [and catalog] track a history of visual thinking, 'from the world in a box to images on a screen,'..."
Speaking of both the exhibition and the catalog, the hard-nosed and insightful reviewer, Christopher Knight (Los Angeles Times, November 19, 2001) remarks that, "The Wunderkabinett is back, their show asserts--bigger, now nearly ubiquitous and considerably more far-reaching than any Baroque prince could ever have dreamed. Today's Wunderkabinett is sitting on your desk at home or in the office, or perhaps it's resting in your briefcase or on your lap." "Looking at wondrous things in a Wunderkabinett becomes the launch pad for the wonders of looking. Sight connects with insight. Mirrors facilitate reflection. Images are themselves ideas. ... Playful and unexpected connections get drawn. ... The show [and the catalog] is filled with these sorts of surprising delights, which can send your mind off in unexpected directions." (...)
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