After the titanic success of live album "Alive!", KISS decided to experiment with their rock n' roll sound, and enlisted Pink Floyd/Alice Cooper producer Bob Ezrin to produce "Destroyer", KISSes own "Seargent Peppers..."
All the songs here are completely individual and have a character of their own. Live favourite and long-time set opener "Detroit Rock City" starts off with some rather confusing sound effects, but turns into an absolutely classic, unmatched by all but a few other KISS songs. As the last notes of "..Rock City" swerve out of control and crash, comes the spiralling intro of "King of the Nighttime World", a more traditional but nonetheless brilliant song with a spacily cool Ace Frehely solo.
"God of Thunder" is an eerie and brooding rock stomp, far removed from the brash pop-rock sound of their last studio release "Dressed to Kill", and has since become Gene Simmons trademark song (even though it was written by Paul Stanley).Some songs are not quite as great as others on here - "Great Expectations" is a very ambitious Beatles-esque number which takes a while to get used to, and "Sweet Pain" and "Flaming Youth" are both good songs, but slighty pale in comparison to other songs on the album.
The slushy Peter Criss ballad "Beth" was a major hit for the band at the time, and is good in a kind of Rod Stewart and the Faces way. "Shout it out loud" is an epic anthem only rivalled by "Rock n' Roll all nite" and sees an exuberant Stanley and Simmons trading verses over an classic KISS guitar lines. Closer "Do you love me?" is another more ambitious song, with bells and chimes added in to add to the celebratory atmosphere, as Paul Stanley pouts about his "seven inch...leather heels",and ending the album with some strange sound clips of "Great Expectations". Undoubtedly the most ambitious album of KISSes career up to then, but also the most successful. A brilliant and varied album - buy it!