It's a truism that art is always better when experienced directly, it is never the same in reproduction or description. So what happens with art that is tied to a location? It is never coming to a gallery near you soon, except in reproduced format. What about work that is both physically remote and obscure? This is where a book like Destination Art is invaluable.
What this book does so well is to almost overcome the limitations of description and reproduction, and allow you to engage with some truly beautiful and original art, without necessarily visiting it, and yet also inspires you to go and see it first-hand. The premise of this book is simple: to cover art which demands that you travel to a particular location to see it. This is not about galleries, although one or two do sneak in, such as the Museo Guggenhiem, Bilbao, this is all about art that demands that you visit it in its location and experience it on its own terms.
One of the wonderful things about this book is the breadth of destination art, ranging from the famous, such as Robert Smithson's Spiral Jetty in Utah, to the not so well known, such as Le Palais Idéal, in Hauterives, France. Each of the fifty featured destinations has been lovingly and richly described, and a further one hundred and fifty are covered in less detail but are well described nevertheless. Having been to one or two of the destinations: the fantastic Cass Sculpture Foundation in Goodwood for example, it is interesting to see how well they have been described, in fact the quality of the writing just makes me want to visit again. As a sampler of what is out there, some of which you could easily get to, some of which would be more difficult to reach, it is an absolute joy.
In short, if you have an interest in modern or contemporary art this is a book you should treat yourself to, or if you are really lucky have someone else buy it for you, thanks to my Sister-in-Law and Brother for doing exactly this.