The second commercial album for Headswim, ignoring EPs and mini-albums, was seemingly lost in a melee of new grand theories from well-known bands. Possibly the result of a suicidal, or naive, bad release by Epic, Despite Yourself came at the wrong time.
Accused of being another Radiohead post-Bends imitation (principal prosecutor NME) the album was dogged with comparison, albeit unfairly.
Had anyone truly listened to their first major outing Flood, they would have paid more attention to the stylistics, and the way that, once again, the band was heralding a sea change in mainstream rock.
Their work, far from being imitation, was nothing less than sublime melodic development. It may well have been within the confines of an envelope that that was already established, but it was groundbreaking nevertheless.
Comparisons to early Del Amitri may be abound on this album, as is the heavy Radiohead burden, but it is a truly gorgeous work. Full of sweeping vocals, and clear cut guitar work, although it is not necessarily innovative, it makes clear how low-grade some of this sort of music that we put up with really is.
To take a genre in the way that Headswim does, and develop it in such a perfectionist and yet aesthetically pleasing manner, is the sign of greatness.
'Envelope Pushing' may be en vogue. But real insight can require taking these models and showing what is right, and what is wrong, with these ideas. This is indeed what Despite Yourself does.