The story looked interesting - a lapsed Catholic falls in love with a priest but instead sleeps with a boy she used to babysit. But the back of the cover pretty much tells all there is to tell.
Clare Murphy left Belfast during the 80s to go to London to pursue her dream of acting. It's now 1999 and she's just broken up with her boyfriend (who she'd been with for 10-years). She comes back to West Belfast and lives with her father Tommy to give herself some space and time to heal.
Bored, she reluctantly goes to a local drama group, led by Father Lorcan. Sexual tension builds between them. Out of frustration, she has a passionate affair with Robert, who is the nineteen-year-old son of friends her age.
It reads slow at first, but tension does finally build towards the end of the book as the relationship between Father Lorcan, Robert and Clare becomes a warped love triangle.
An established playwright, McCartney's strongest point is her dialogue. For each character, she's created unique and convincing dialogue. Unfortunately, most of the novel is a lot of telling instead of showing. If she'd relied more on dialouge and action and less on commentary narrative, it could have been a great novel.
McCartney seems to be trying to make a point with the "Desire Lines" concept (which she defines early on), but at the end of the novel it's unclear exactly what it is.