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Democracy, Law and the Modernist Avant-Gardes: Writing in the State of Exception [Hardcover]

Sascha Bru

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Book Description

20 Oct 2009
This is the first book to look at the ties between European modernism and democracy in a cross-cultural manner. Focusing on the continental avant-gardes of the nineteen-tens and twenties, Sascha Bru's original and provocative book fundamentally revises our understanding of modernism's cultural and political history. Bru brings together a wide range of European experimental writers and provides detailed analyses of Italian futurist F.T. Marinetti, German Dadaist Richard Huelsenbeck and Belgian expressionist Paul van Ostaijen. Bru locates these writers within their exceptional democratic context and demonstrates how the modernist avant-garde, during the First World War and the upheavals that followed, found itself caught up in a series of 'states of exception'. In such states legal democratic institutions were bracketed and set aside, and 'literature' as an autonomous realm was temporarily suspended. Faced with extreme forms of politicisation, avant-gardists throughout Europe tried to safeguard literature's autonomy in a variety of ways. These included turning politics and law into genuinely artistic materials and producing a repertoire of alternatives to existent frameworks of democracy. Against assertions that anti-art avant-garde gestures were meant to overcome art's autonomy and approximate the condition of politics, Bru shows that European avant-gardists may well have been one of the staunchest defenders of art's sovereignty in modern times. Key Features * Facilitates dialogue between Anglo-American and European modernist studies * Presents new interpretations of Berlin Dada, futurism and expressionism, and brings an innovative historical framework with which to analyse continental modernism * Provides an original perspective on modernist writing and theory during the first decades of the foregoing century * Offers, in the introductory chapter, a survey of ways in which to relate experimental writing to politics

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Penetrating deep into a world which for most students of Anglo-American modernism will be as intriguing as it is unfamiliar, Sascha Bru's new study invites a fundamental rethinking of our notions of modernist avant-gardism and its political ambitions. --Peter Nicholls, Professor of English, New York University

About the Author

Sascha Bru is a Lecturer in Literary Theory at Ghent University. He has co-edited Europa! Europa?: Modernism, the Avant-Garde and the Fate of a Continent (with Jan Baetens et al) (Walter de Gruyter, 2009); The Invention of Politics in the European Avant-Garde, 1906-1940 (with Gunter Martens) (Rodopi, 2006); Bloody Crossroads: The Politics of the Modernist Avant-Garde, 1906-1940 (with Bart Keunen, a special issue of Arcadia. International Journal of Literary Studies, 2006); and Historical Avant-Garde: Poetics and Politics (with Phil Codde and Bart Keunen) (Peeters, 2005). He is currently involved in editing, with Peter Brooker and Andrew Thacker, Modernist Magazines: Critical and Cultural History, Vol. 3: Europe (forthcoming from Oxford University Press). He is also Editor-in-chief of the book series European Avant-Garde and Modernism Studies published by Walter de Gruyter.

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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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