The film's twist on the Huckleberry Finn/American West motif is well-done and commendable. Similarly, the burgeoning relationship between the two young men is initially well-dramatized. However, Minh's character lacks development, and potential dramatic use of his disenfranchisemnt (half-black, half-Vietnamese, gay, poor) is unexplored. Minh's character arc lands him the only place he could end up: risking what little he has to avenge his abandonment. Yet we are left wondering the complete reasoning behind his decision, and, in fact, we do not know Minh's name until the movie is almost over. Without due psychological exploration of Minh, the movie's pace is jerky and the film left being somewhat cryptic, which would be to the film's credit if it seemed intentional.